长期以来，学界重墨于“现代性”的时间意识，却疏于关注“景观”时间，进而多将瞬间视为一种现代性体验，而忽视其作为景观体验的合理性。可以说，景观是现代性的重要表征，并居于现代性体验的中心位置。特别是在视觉文化当道的今天，消费景观的震惊体验，偕之与其对立的审美主义震惊、古典绘画的灵韵，共同演绎出流动的感官式震惊、断裂的显影式震惊、过渡的否定式震惊、即刻的逆反式震惊、回溯的包孕式灵韵的景观美学的瞬间体验五层次。可见，与现代性相比，景观的体验序列传达出更为直观的瞬间层次和更加卓著的瞬间诗学。%For long, the academic circle has devoted much more to the time consciousness ofmodernity but much less to thespectacle time. Thus,moment is often regarded as an experience of modernity rather than that of modern spectacle. In fact,spectacle is an important representation of modernity, and occupies the central position of modernity experience. Especially in the present era of visual culture, shock experience of consumptive spectacle, in company with aestheticism shock and aura of classical painting, conduce to five kinds of moment experience in spectacle aesthetic, including sensory shock with flows, budding shock in break time, negative shock in transition period, instant and reverse shock, and reversible traditional aura with fixed attention. It is thus clear that, in comparison with modernity, spectacle experiences convey more visual moments and more excellent moment poetics.
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