从春秋贵族诗人群体构成形态看诗歌创作方式的转变

摘要

In the West Zhou Dynasty, "offering poem" and "collecting poem" system was to serve the purpose of ritual system, but this system by the services in the "distinguishing evil from lucky omen" religion gradually transformed to serve the purpose of "Listening to the people" for political purposes in Spring and Autumn period.Meanwhile, poetry, music and dance became dispersed from a centralized way.This shift made poetry entirely through their own language symbols mean to play its social and political function, while poetry collective creating way gradually transformed into personal creation.And the diversification of noble poet group′ constitution forms promoted important transforming in mode of poetry.%西周时代的"献诗""采诗"制度是以服务于礼乐制度为目的的,而春秋时期这种制度则由服务于"辨妖祥"的宗教目的逐步转变为服务于"听于民"的政治目的.与这一转变相伴而生的就是由诗、乐、舞三因素合一逐渐向诗与乐、舞二因素脱离的转变,使诗歌完全通过自己的语言符号所代表的语义发挥其社会政治功能,诗歌创作方式随之开始由集体创作逐渐转化为个人创作.正是贵族诗人群体构成形态的多元化,促进了我国古代诗歌创作方式的重要变革.