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The ghost in the Irish psyche: Ghost stories in contemporary Irish literature.

机译:爱尔兰心理中的幽灵:当代爱尔兰文学中的鬼故事。

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摘要

This critical project identifies supernatural figures and ghost story narratives in contemporary Irish literature, revealing the creative power of the ghost as a metaphor through which to express widespread anxiety. Though ghost stories and supernatural tales have existed from the earliest oral literature in Ireland, these stories are reinvented each generation as manifestations of past traumas and current vexations that the Irish are facing at the time of writing. I argue that while exercising the collective memory of the culture to promote a self-identity distinct from its colonial past, ghost stories tap into structures of communal storytelling that are adapted to express encoded fears about the present.;I examine ghost story narratives embedded in select Irish drama, short stories and poetry published from 1987--2007, reading these stories as shuttling between repressive and emergent expression. I contend that when a ghost appears in one of these texts, it is a symbol containing loss that has yet to be fully grieved because of its traumatic nature. Artists who implore a kind of keening to commence through literary animations of ghosts are asserting a postcolonial resistance to replicating exploitative colonial thinking. Specifically, in this recent period, I argue that horror tales take shape through artists' concerns over racism, imperialism, and globalization. When social critique is exposed through the transgressive spirit of the ghost, whose speech is often silence, narratives of community give voice to those who lack power. My implicit suggestion is that if ghost stories are a resistant discourse to colonialism, their hybrid nature comprised of past and present offers a discourse that destabilizes literary forms inherited from the colonizer. My analysis configures the ghost story as a paradigm of the familiar becoming strange, dramatizing the trope of a stranger who crosses the threshold of the home and disturbs the order within. Ireland is in a unique position to usher in such unsettling narratives, as a postcolonial nation that is exhuming its past horrors while confronting the uncertainty of its present prominence in the European Union and the international community at large.
机译:这个至关重要的项目确定了当代爱尔兰文学中的超自然人物和鬼故事叙事,揭示了鬼的创造力,以此作为表达广泛焦虑的隐喻。尽管在爱尔兰最早的口头文学中就存在过鬼故事和超自然的故事,但这些故事每一代都被重新发明,以作为爱尔兰人在撰写本文时所面对的过去创伤和当前烦恼的体现。我认为,在运用文化的集体记忆来促进不同于殖民地过去的自我认同的同时,幽灵故事融入了公共叙事结构中,以表达对当下的恐惧感。选取1987--2007年出版的爱尔兰戏剧,短篇小说和诗歌,将这些故事读作压抑和紧急表达之间的穿梭。我认为,当这些文字之一中出现鬼影时,由于它具有创伤性,它是一个包含损失的符号,至今尚未完全解决。恳求某种热衷于通过幽灵的文学动画开始的艺术家,正在主张对复制剥削性殖民思想的后殖民抵抗。具体来说,在最近一段时间,我认为恐怖故事是通过艺术家对种族主义,帝国主义和全球化的关注而形成的。当社会批评通过幽灵的过犯精神暴露出来时,幽灵的言语往往是沉默,社区的叙事会给那些缺乏权力的人发声。我的隐含建议是,如果鬼故事是对殖民主义的反抗话语,那么它们过去和现在的混合本质提供的话语会使从殖民者那里继承的文学形式变得不稳定。我的分析将“鬼故事”配置为熟悉的变得陌生的典范,生动描述了一个陌生人的口音,他穿过房屋的门槛并扰乱了内部秩序。作为一个后殖民国家,爱尔兰正发掘其过去的恐惧,同时面对其在欧洲联盟和整个国际社会中所占地位的不确定性,因此,爱尔兰在呈现这种令人不安的叙述方面处于独特的地位。

著录项

  • 作者

    Ferguson, Molly Elizabeth.;

  • 作者单位

    University of Connecticut.;

  • 授予单位 University of Connecticut.;
  • 学科 Literature Modern.;Gender Studies.;Literature English.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 245 p.
  • 总页数 245
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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