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The symbol of the Veil as the presence of the hidden Divine in Islam's sacred myths, stories and rituals.

机译:面纱的象征是隐藏在伊斯兰的神圣神话,故事和仪式中的神圣神灵的存在。

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摘要

Symbols are the first and most pervasive way individuals and cultures communicate. They are holders of value and meaning, multivocal and adaptive by nature, and are transformative as they reconcile opposites and establish reality. Symbols are accessed through the imagination and as such can mediate an encounter with the Divine, and convey the mystery and awe of that event. The appearance of the Veil symbol in Islam's sacred myths, stories and rituals often points to an inaccessible theophany; a manifestation of the hidden Divinity. An unveiling reveals recondite attributes of that transcendent reality.;This dissertation concerns itself with the esoteric occurrences of Veil symbology in Islam. Instances of Veil symbolism from pre-Islamic communities are explored briefly to illustrate the pervasive nature of this symbol in and around the Arabian Peninsula. The majority of the research reveals Veil symbolism present in the Qur'an---Islam's foundational myth, in select accounts of accompanying Tafsir commentaries, Hadith literature and traditions, in the gnosis of twelve Islamic saints, sages and poets, and as embodied in the rituals of the Five Pillars.;Symbols augment archetypal ideas. The four categories of archetypal ideas below are employed in this dissertation to elucidate and organize instances of Veil symbolism: • Ascent and Descent; Dominance and Submission; Love Lost and Found. • Suffering, Death and Resurrection. • Divine Authority, Morality and Justice. • Divine Cosmologies and Humanity's Position Within. Symbols are not the archetype itself nor are they signs, metaphors, motifs, or allegories but may be used concurrently to amplify these other modes of expression.;Traditional studies of the sacred often examine a single aspect of a culture's myths, stories and rituals. Conversely, symbology is able to uncover multiple meanings, suggest values, and amplify archetypal ideas. Individual and communal life is enhanced when symbols, such as the Veil, support shared or divergent knowledge, encourage dialogue and suggest new viewpoints, attitudes and ways of being.;Keywords: archetype, myth, veil, unveiling, Sura, Hadith, Tafsir, Sufi, gnosis.
机译:符号是个人和文化交流的第一个也是最普遍的方式。他们是价值和意义的持有者,天生具有多方面的发言权和适应性,在调和对立面并建立现实时具有变革性。通过想象可以访问符号,因此可以调解与神的相遇,并传达事件的神秘性和敬畏感。伊斯兰教的神圣神话,故事和仪式中出现了面纱符号,这通常表明神学界难以接近。隐藏的神性的体现。揭露了该超然现实的隐秘属性。;本论文涉及伊斯兰教中面纱象征主义的深奥出现。简要探讨了来自前伊斯兰社区的面纱象征主义实例,以说明该象征在阿拉伯半岛及其周围地区的普遍性。大部分研究揭示了存在于古兰经中的面纱象征意义-伊斯兰的基本神话,根据塔夫西尔的评论,圣训文献和传统,以及对十二位伊斯兰圣贤,圣贤和诗人的预言,体现了面纱的象征意义。五大支柱的仪式。符号增强了原型思想。本论文采用以下四类原型思想来阐明和组织面纱象征主义实例:•上升与下降;主导权和服从度;爱失物招领处。 •痛苦,死亡和复活。 •神的权威,道德与正义。 •神的宇宙学和人类在其中的地位。符号既不是原型本身,也不是符号,隐喻,主题或寓言,但可以同时用于放大其他表达方式。对神圣性的传统研究经常考察文化神话,故事和仪式的一个方面。相反,符号学能够发现多种含义,提出价值并扩大原型思想。当面纱等符号支持共享或不同的知识,鼓励对话并提出新的观点,态度和存在方式时,个人和社区生活就会得到改善;关键字:原型,神话,面纱,揭幕,苏拉,圣训,塔夫西尔,苏菲,诊断。

著录项

  • 作者

    Williams, Carolyn Lee.;

  • 作者单位

    Pacifica Graduate Institute.;

  • 授予单位 Pacifica Graduate Institute.;
  • 学科 Religion Philosophy of.;Islamic Studies.
  • 学位 Ph.D.
  • 年度 2014
  • 页码 342 p.
  • 总页数 342
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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