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ANALISI DI PANTALONE, VECCHIO MERCANTE VENEZIANO IN QUATTORDICI COMMEDIE DEL GOLDONI. (ITALIAN TEXT).

机译:裤子分析,戈登尼四部喜剧中的老威尼斯商人。 (意大利文字)。

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摘要

The "Analisi di Pantalone, vecchio mercante veneziano in quattordici commedie del Goldoni" is, as stated by the title itself, an analysis of Pantalone. To this end a summary and analysis of each of the plays chosen were made. In addition, three other chapters ("Commedia dell'Arte", Goldoni's Reform of the Theatre, "Fonti letterarie" about the authors he had previously studied and whose influence had significantly affected Goldoni the man and the playwright) are also part of this study. The final chapter presents significant comparisons on which the conclusion of the study is based.;Before writing each summary and analysis, a statistical study of Pantalone's role (included as an Appendix to this study) was made in order to establish his importance in all of Goldoni's plays. In fourteen of the thirty-six plays in which he appears he was found to have a function which ranged from important to central, (30 to 50% of the time on stage). Hence these fourteen works serve as the basis of the character analysis.;To shed light on the parallel that was observed between Pantalone and the moral and social life of the author himself, a biographical section on the latter was deemed appropriate.;Since the study demonstrates that the character of Pantalone is extremely consistent in all of the fourteen works, we can conclude that he embodies many of the human qualities which Goldoni wished to personify: a good father, a good friend, a good tutor, a philosopher, always aware of his important role as an honorable, serious old man proud of his Venetian background and profession, but above all, proud of his family.;Pantalone, being one of the four masks of the "Commedia dell'Arte", in Goldoni's plays is no longer ridiculous or avaricious but a serious, honorable man, proud of his Venetian background, of his family and of his profession. He could be considered the voice of Goldoni's view of the world of the new rising class--the bourgeoisie.
机译:正如标题本身所言,“潘纳洛尼的纳纳西·迪·潘纳洛”是对潘纳洛尼的分析。为此,对所选择的每个剧作了总结和分析。此外,其他三章(“ Commedia dell'Arte”,Goldoni的剧院改革,“ Fonti letterarie”有关他先前研究过的作者,其影响力对该男子和剧作家Goldoni均具有影响)也属于本研究的一部分。 。最后一章提供了可作为研究结论基础的重要比较。在撰写每篇摘要和分析之前,对Pantalone的角色进行了统计研究(包括在本研究的附录中),以确定其在所有研究中的重要性。戈尔多尼的戏剧。在他看来的36部戏剧中,有14部被发现具有从重要到中枢的功能(舞台上30%到50%的时间)。因此,这十四幅作品成为了人物分析的基础。为了阐明潘塔龙与作者本人的道德和社会生活之间的相似之处,认为关于后者的传记部分是适当的。证明潘塔洛尼(Pantalone)的性格在所有这十四部作品中都极为一致,我们可以得出结论,他体现了戈多尼希望体现的许多人文素养:一个好父亲,一个好朋友,一个好家庭教师,一个哲学家,总是意识到作为一个光荣,认真的老头,他以威尼斯人的背景和职业为荣,但最重要的是,以他的家人为荣。他的重要角色。不再是荒谬或固执的人,而是一个认真,可敬的人,以他的威尼斯背景,他的家人和他的职业感到自豪。他可以被视为戈尔多尼(Goldoni)对新兴资产阶级资产阶级世界观的声音。

著录项

  • 作者

    RODRIGUEZ, MARTA LUISA.;

  • 作者单位

    Middlebury College.;

  • 授予单位 Middlebury College.;
  • 学科 Romance literature.
  • 学位 D.M.L.
  • 年度 1986
  • 页码 748 p.
  • 总页数 748
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 分子遗传学;
  • 关键词

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