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Music performance instruction as aesthetic and integrative education: Defining its role in music education and Christian education.

机译:音乐表演教学作为审美和综合教育:定义其在音乐教育和基督教教育中的作用。

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摘要

The focus of this philosophical research is the decline in music performance quality in both public and religious educational systems. An integral concern of this study is the underlying justification for performance--aesthetic and integrative development. This research undertook the task of evaluating materials related to aesthetic experience and education and their relationship to music experience and education. Though these areas have received much attention and thought, there has been insufficient thought to consider these areas for the purpose of qualitative improvement in music performance.;Tremendous external barriers were identified which hinder quality performance in educational systems. The internal deficiency of the performance class is the lack of educational content beyond technical development--specifically, aesthetic content. Due to philosophical disunity between music education philosophers and practicing music educators, it appeared that music performance should be a peripheral element in aesthetic music programs. This study attempts to philosophically unite aesthetic goals with the performance class, defining music performance as being central to the goals of aesthetic music education, equipped to provide direct contact with the aesthetic elements of music. However, there is a specific philosophy and methodology needed for the performance class to achieve aesthetic goals. This research attempted to construct and present the needed philosophy and methodology. It does appear that aesthetic consideration and treatment of the performance class will have a significant impact on the qualitative deficiencies of these groups. A strong correlation is expected between aesthetic teaching which focuses on understanding the content of music, coupled with technical proficiency, and high quality performance.;This research called for and provided the unique purpose and tenets of music education for Christian education. While the justifying purpose of music in religious life is creative activity, its function, in a sense, is aesthetic growth. The effort to infuse aesthetic music education in the church will have a significant impact on spiritual emphasis and performance quality. Church-related colleges must implement music programs which support a consistent emphasis on music education and aesthetic growth. These colleges should educate future musicians to implement aesthetically oriented music programs in the schools and churches.
机译:这项哲学研究的重点是公共和宗教教育系统中音乐演奏质量的下降。这项研究的一个整体关注点是表现的根本理由-审美和整体发展。这项研究承担了评估与审美体验和教育有关的材料及其与音乐体验和教育的关系的任务。尽管这些领域受到了广泛的关注和思考,但仍没有足够的思想来考虑这些领域,以提高音乐演奏的质量。;确定了巨大的外部障碍,阻碍了教育系统的质量演奏。表演班的内部缺陷是缺乏技术发展以外的教育内容,特别是审美内容。由于音乐教育哲学家与实践音乐教育者之间在哲学上的分歧,似乎音乐表演应该成为审美音乐节目中的外围元素。这项研究试图将审美目标与表演班进行哲学上的统一,将音乐表演定义为审美音乐教育目标的核心,并使其能够直接接触音乐的审美元素。但是,表演班要达到审美目标需要一种特定的哲学和方法论。这项研究试图构建并提出所需的哲学和方法论。确实,对表演班级的审美考虑和待遇将对这些群体的质量缺陷产生重大影响。着眼于理解音乐内容,技术水平和高质量演奏的美学教学之间有着强烈的关联。本研究呼吁并提供基督教教育中音乐教育的独特目的和宗旨。音乐在宗教生活中的正当目的是创造性活动,但从某种意义上说,音乐的功能是审美增长。在教会中注入审美音乐教育的努力将对精神重点和表演质量产生重大影响。与教会相关的学院必须实施音乐计划,以支持对音乐教育和审美成长的持续重视。这些学院应教育未来的音乐家在学校和教堂中实施以审美为导向的音乐计划。

著录项

  • 作者

    Benz, David Ervin.;

  • 作者单位

    University of Missouri - Columbia.;

  • 授予单位 University of Missouri - Columbia.;
  • 学科 Music education.;Music.
  • 学位 Ph.D.
  • 年度 1988
  • 页码 325 p.
  • 总页数 325
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:50:51

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