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Mogao Cave 254: A case study in early Chinese Buddhist art.

机译:莫高窟254:中国早期佛教艺术的个案研究。

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摘要

The largest and best preserved Buddhist cave site in China is located near Dunhuang, a small oasis community in northwestern Gansu province. Cave 254, which is completely decorated with painting and sculpture, is one of the earliest extant at the Mogao caves, and was probably constructed sometime between 475-490 A.D. The methodology of past scholarship has been to isolate and analyze specific elements of a cave, for example a single visual motif or painting style, and relate these to distant sources in India, Central Asia or other areas of China. Past scholarship has for the most part overlooked both the role of choice and the role of local circumstances in the formation of style.; My study seeks to understand Cave 254 and its art in terms of its local context. Implicit in this approach is the assumption that local factors order and condition the range of choices in subject matter and style available for the imagery, and that these contextual factors must be understood in order to fully explicate the art. Thus, the methodology employed in my dissertation will be that of a case study--an intensive, contextual examination of a single case.; The study concludes that a local Han Chinese elite class, who were the most likely sponsors of Cave 254, also probably formed the leadership of the monastic community that planned and oversaw the construction and use of the cave. This local elite class had existed in Dunhuang for many centuries before the construction of Cave 254. The function of the cave was also a significant factor in its formation because the cave served as a visual aid to Buddhist practices such as visualization, the recitation of the names of multiple Buddha groups, circumambulation and other devotional rituals. The cave and its imagery were thus created within a complex matrix of local circumstances: those related to local artistic traditions and the process of creation, those related to function and Buddhist practices, and those related to local elite ideological needs.; The architecture, sculpture and painting in Cave 254 are primary evidence of the choices which were made. The dissertation is an attempt to illuminate the intricate interplay of local circumstances in the decisions reached and ultimately to understand Cave 254 in terms of these choices.
机译:中国最大,保存最完好的佛教石窟遗址位于甘肃西北部的一个小型绿洲社区敦煌附近。莫高窟最早的现存洞穴254完全用绘画和雕塑装饰,可能是在公元475年至490年之间建造的。过去的学术方法一直是隔离和分析洞穴的特定元素,例如单一的视觉主题或绘画风格,并将其与印度,中亚或中国其他地区的遥远渊源联系起来。过去的学术研究在很大程度上忽视了选择的作用和当地环境在风格形成中的作用。我的研究旨在从当地背景出发来了解254号洞穴及其艺术。在这种方法中隐含一个假设,即本地因素对图像可用的主题和样式的选择范围进行排序和条件确定,并且必须理解这些上下文因素以充分说明本领域。因此,本文所采用的方法将是案例研究的方法,即对单个案例进行深入的上下文检查。研究得出的结论是,最有可能赞助254号洞穴的当地汉族精英阶层也可能组成了修道院社区的领导人,该社区计划并监督了该洞穴的建造和使用。在建造第254号洞穴之前,这一当地精英阶层在敦煌已经存在了多个世纪。该洞穴的功能也是其形成的重要因素,因为该洞穴可作为佛教活动的视觉辅助,例如形象化,诵经多个佛群的名称,回旋和其他虔诚的仪式。因此,在一个复杂的当地环境矩阵中创建了该洞穴及其图像:与当地艺术传统和创作过程有关的,与功能和佛教习俗有关的,以及与当地精英思想需求有关的那些。 Cave 254的建筑,雕塑和绘画是做出选择的主要证据。本论文试图阐明所达成决策中当地情况的错综复杂的相互作用,并最终从这些选择的角度来理解Cave 254。

著录项

  • 作者

    Abe, Stanley Kenji.;

  • 作者单位

    University of California, Berkeley.;

  • 授予单位 University of California, Berkeley.;
  • 学科 Education Art.; History Asia Australia and Oceania.; Religion General.; Fine Arts.
  • 学位 Ph.D.
  • 年度 1989
  • 页码 265 p.
  • 总页数 265
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界史;宗教;艺术;
  • 关键词

  • 入库时间 2022-08-17 11:50:47

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