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Bridging the culture gap: How John Dewey's aesthetics may benefit the local church.

机译:弥合文化鸿沟:约翰·杜威的美学如何使当地教会受益。

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摘要

In my personal experience, I have discovered notable aesthetic problems that face many contemporary evangelical churches. In spite of these churches' best efforts, they fail to bridge the culture gap and foster a meaningful worship service. But John Dewey's aesthetic philosophy understands the shifting nature of our environment and the value of aesthetic experience, providing beneficial insights to assist unhealthy churches.;To better understand the applicability of his philosophy, Chapter II is an exposition of John Dewey's aesthetics that revolves around four central questions: What is Dewey's starting point for aesthetics? What distinguishes aesthetic experiences from others? What is his criticism of the "museum conception of art"? What is the significance for Dewey of our activities having or not having aesthetic quality?;Chapter III is a Deweyan investigation of four real churches: the elite church, which promotes an aesthetic that is reserved for its members; the broken church, which is divorced from community; the humdrum church, which is preoccupied with the routine; and the sensational church, which is characterized by indulgence.;Chapter IV is a description of two recent attempts to bridge the culture gap and offer meaningful worship activities: the seeker-sensitive movement which contends that the church must be "culturally inviting" to the community, and the emerging movement(s), which seeks to dismantle traditional churches using deconstructionism and reconstructing worship services that are experiential, pluralistic, and sensory.;My Deweyan argument in Chapter V is that both the "seeker-sensitive" and the "emerging" movements fail to adequately understand the shifting character of our environment and our relation to it. If problem churches acknowledge that discontinuity with environment is inevitable, seek to meet the needs of others, embrace adjustment as a core component, and value aesthetic experience, they will be in a better position to bridge the culture gap and offer an enriching worship experience in their services.;Three Deweyan lessons are gleaned from this inquiry: value aesthetic experience and its contribution in bridging the culture gap, implement Deweyan insights drawn from our examination of traditional churches, and contribute to society by generating art-products that will benefit the community.
机译:以我的亲身经历,我发现许多当代福音派教堂都面临着明显的美学问题。尽管这些教会尽了最大的努力,但他们未能弥合文化鸿沟,也没有建立有意义的敬拜服务。但是约翰·杜威的美学哲学理解了我们环境的变化和审美经验的价值,为有益于不健康的教会提供了有益的见解。为了更好地理解他的哲学的适用性,第二章是约翰·杜威美学的论述,围绕四个方面展开。核心问题:杜威的美学起点是什么?审美体验与他人的区别是什么?他对“艺术博物馆概念”的批评是什么?杜威开展具有或不具有美学品质的活动的意义何在?第三章是杜威对四个真实教会的调查:精英教会,这种教会提倡一种为其成员保留的美学;脱离社区的破碎教堂;枯燥乏味的教堂,这是例行工作;第四章描述了最近两次弥合文化鸿沟并提供有意义的敬拜活动的尝试:寻求者敏锐的运动,主张教会必须“文化地邀请”参加者。社区和新兴运动,这些运动试图通过解构主义拆除传统的教堂,并重建具有体验,多元和感官的朝拜服务。我在第五章中对杜威恩的论点是“对寻求者敏感”和“新兴”运动未能充分理解我们环境的变化特征及其与环境的关系。如果有问题的教会承认与环境的干扰是不可避免的,寻求满足其他人的需求,将调整作为核心要素,并重视审美经验,那么他们将处于更好的位置,弥合文化鸿沟并提供丰富的敬拜经验。这次调查收集了三个杜威延课程:珍贵的审美经验及其在弥合文化鸿沟中的贡献,实施杜威延从我们对传统教堂的考察中得出的见解,以及通过产生有益于社区的艺术品来为社会做出贡献。

著录项

  • 作者

    Shockley, Paul Russell.;

  • 作者单位

    Texas A&M University.;

  • 授予单位 Texas A&M University.;
  • 学科 Spirituality.;Aesthetics.;Philosophy.;Religion.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 212 p.
  • 总页数 212
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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