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Discovering joy in sport: The process of becoming a kine-aesthetic being.

机译:在运动中发现快乐:成为运动美学的过程。

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摘要

In Gardner's (1983) kinesthetic intelligence he introduces the concept of a person who is skilled in the recognition and use of movement patterns. This person is well trained and exhibits components such as rhythm, balance, sensory awareness, and movement proficiency. To go beyond this construction of kinesthetic then is to take these attributes and apply them to the process of engagement in physical activity. This results in a person whose engagement in movement is descried as an enjoyable process. This is what is termed a Kine-Aesthetic Being.; In this study the notion of the Kine-Aesthetic being is introduced and developed. It begins by first describing the conditions that define the kine-aesthetic being. These are developed under the sub topics of perception (i.e. joy of movement, passion and expression) and right practice (i.e., creativity, choice, and excitement/energy). Many of these conditions are described through the aesthetic literature and through literature dealing with aesthetic, peak and optimal experiences.; The concept of being or self is described as a bodily being or a person who exists through bodily expression. To act in the world with awareness of the body is a central component of the Kine-Aesthetic Being. By developing processes for enjoyable experiences in sport and physical activity one finds greater meaning in the activity which results in satisfactory lifelong experiences. A kine-aesthetic being then is one who cultivates the kinesthetic intelligence through emotional control, perceptive skill and right practice.; In future practices in athletics it is hoped that these criteria will be considered in developing athletic skill. Excellence in sport is not mere performance toward a goal but the development of meaningful, joyful experiences. By following the criteria as established sport and physical education practitioners can design curriculum and lessons to enhance these experiences.
机译:在加德纳(Gardner,1983)的运动智能中,他引入了精通运动模式识别和使用的人的概念。这个人受过良好的训练,并表现出节律,平衡,感官意识和运动能力等成分。超越这种运动感觉的构造,就是要利用这些属性并将其应用于参与体育活动的过程中。这导致人们将其参与运动描述为一个令人愉快的过程。这就是所谓的运动美学。在这项研究中,运动美学的概念被引入和发展。首先,开始描述定义运动美学的条件。这些是在感知(即运动的喜悦,激情和表达的乐趣)和正确的练习(即创造力,选择以及兴奋/活力)的子主题下开发的。这些条件中的许多是通过美学文献以及涉及美学,高峰和最佳体验的文献来描述的。存在或自我的概念被描述为身体存在或通过身体表达而存在的人。在身体意识下在世界上行动是Kine-审美存在的核心组成部分。通过开发运动和体育活动中令人愉悦的体验的过程,人们在运动中发现了更大的意义,从而获得了令人满意的终生体验。那么,运动美学的人就是通过情感控制,感知能力和正确练习来培养运动智能的人。希望在将来的田径练习中,在发展运动技能时会考虑这些标准。卓越的运动不仅是实现目标的表现,还包括有意义,愉悦的体验的发展。通过遵循既定的运动和体育教育准则,从业人员可以设计课程和课程以增强这些体验。

著录项

  • 作者

    Kelley, Michael Sean.;

  • 作者单位

    The Ohio State University.;

  • 授予单位 The Ohio State University.;
  • 学科 Education Physical.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 154 p.
  • 总页数 154
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 O4-4;
  • 关键词

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