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Nietzsche in a nutshell: An interpretation of 'Twilight of the Idols'

机译:尼采简而言之:对“偶像的黄昏”的解释

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摘要

Friedrich Nietzsche is the philosopher of our age; as such his thought is deserving of careful and concentrated study. The death of God that is proclaimed in his writings is both a catastrophe and an opportunity, both debilitating and liberating, in short, it opens up the possibility of both the Last Man and the Superman. This dissertation is an interpretation of Nietzsche's Twilight of the Idols, the work which Nietzsche himself says is "a very stringent and subtle expression of my whole philosophical heterodoxy " and contains his "philosophy in a nut-shell." Nietzsche's philosophical heterodoxy comprises both style and content. Eschewing a systematic presentation of his philosophic thought (e.g., in contrast to Hegel), Nietzsche expresses his insights both poetically and aphoristically. It is here that we first see "how to philosophize with a hammer" and, by implication, it is here that we first see the requirements of character that one must possess to philosophize in this manner. An overriding theme of Twilight is the philosopher, his activity, and how his nature makes him suited for it. Nietzsche's radical confrontation with the problem of Socrates, the exemplar of the traditional spirit of philosophy, culminates in a critical revision of the platonic image, a revision that clarifies the example of the first political philosopher and, thus, further refines our idea of the philosophic life and its relationship to and status within the city. Nietzsche, moreover, demonstrates how the improvement of mankind proceeds in a manner akin to the development of truth: man's nature is fixed and pruned so that he may survive, thus, all morality is anti-natural in the same way as all truth is erroneous. The philosophic and political coherence of Twilight of the Idols rests upon and grows out of Nietzsche's conception of nature, or rather, his conception of life understood as preservation-enhancement. The dissertation concludes that Nietzsche sees life as the ultimate criterion, meaning that one's reasoning and one's way of life, in the absence of God, in the final analysis, must square with the primacy of the existence of life so understood.
机译:尼采(Friedrich Nietzsche)是我们这个时代的哲学家。因此,他的思想值得认真和集中的研究。在他的著作中宣布的上帝之死既是灾难,又是机遇,既使人衰弱又解放,总之,它为“最后的人”和“超人”开辟了可能性。这篇论文是对尼采的《偶像的暮光之城》的解释,尼采本人称他的作品“是我整个哲学异端的非常严格和微妙的表达”,并且包含了他的“简而言之”的哲学。尼采的哲学异端思想既包含风格又包含内容。尼采避免了他的哲学思想的系统阐述(例如,与黑格尔相反),用诗意和格言表达了他的见解。在这里,我们首先看到“如何用锤子进行哲学”,并且暗示着,在这里,我们首先看到了以这种方式进行哲学化必须具备的品格要求。哲学家,他的活动以及他的本性如何使他适应这个主题是《暮光之城》的首要主题。尼采与传统哲学精神的典范-苏格拉底问题的激进对抗最终导致了对柏拉图形象的批判性修改,这一修订阐明了第一位政治哲学家的榜样,从而进一步完善了我们的哲学思想生活及其与城市的关系和地位。尼采还展示了人类如何以类似于真理发展的方式进行进步:人的天性被固定和修剪以便他可以生存,因此,所有道德都是反自然的,就像所有真理都是错误的一样。偶像的暮光之城的哲学和政治连贯性来自尼采的自然观,或者说是他的生命观被理解为对保存的增强,并源于尼采的自然观。论文得出的结论是,尼采把生命视为最终标准,这意味着在没有上帝的情况下,一个人的推理和生活方式最终归根结底必须与这样理解的生命存在的首要性相吻合。

著录项

  • 作者单位

    The Claremont Graduate University.;

  • 授予单位 The Claremont Graduate University.;
  • 学科 Political Science General.;Philosophy.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 307 p.
  • 总页数 307
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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