Mammy versus mulatta: A rhetorical analysis of the act of passing and the influence of controlling images in Fannie Hurst's 'Imitation of Life'.

摘要

Fannie Hurst's 1933 novel, Imitation of Life, and the two movies that followed in 1934 and 1959, address the issue of racial passing in a way that no text ever has before. The theme of Imitation of Life is imitation, and as a result, it lends itself to a discussion of race performativity. Imitation of Life is the first text to juxtapose the mammy character with the tragic mulatto character, and this makes it conducive to studying the category of race and how race performativity functions. In addition, instead of focusing exclusively on passing, this analysis focuses more specifically on the way that resistance to (or condemnation of) passing, mainly through the power of confession, produces a specific mode of performativity.;Each of the versions of Imitation of Life is analyzed separately in order to use the specific version of the text to examine not only how the mores of the time affect the outcome of the story to contextualize each story within its respective time period, but also to examine how each of the characters is constructed in order to evaluate the relationships between black and white women living in the same household. The focus is on the specific features of the mammy and the mulatto characters---their history, their attributes, and their significant features, in order to understand how they work in context and to understand their significance in terms of race performativity. Finally, an examination of the category of race in terms of performative reiteration is presented. Scenes from the book and the two films are scrutinized in an attempt to provide a vehicle to understand the means by which racial norms function. These sections work together to examine the condemnation of passing in Imitation of Life through the lens of race as a speech act. Imitation of Life is a passing narrative that is a crucial text for assisting theorists in understanding the complicated features of race performativity.