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The Vietnam War in the words of the Vietnamese.

机译:用越南人的话说越战。

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摘要

The dissertation examines Vietnamese literary representations of what is known in the West as the Vietnam War. Analysis of prewar literature (1858-1945) shows that the early resistance literature, kindled by the French conquest in the late nineteenth century, reaffirmed the ly (broadly speaking, logic) of nationalism, while the changes of the 1925-1945 period highlighted the significance of tinh (emotions of the heart) among members of the Vie&dotbelow;t Minh, the revolutionary organization which successfully staged the national uprising in 1945 and later defeated the French at Die&dotbelow;n Bien Phu in 1954. On the Vietnam War, the dissertation first looks at non-fiction. Memoirs by National Liberation Front (NLF) leaders Nguye˜n Thi&dotbelow; Di&dotbelow;nh and Truong Nhu Tang are compared and contrasted with those by Nguye˜n Cao Ky` and Tra`in Van Don, leaders of the opposing Republic of [South] Vietnam (RVN), for their positions and reflections on the contested concepts of nationalism, communism, freedom, and democracy, which define the cause and form of the war. For fiction, the study summarizes the literary trends and philosophies that governed the different strands of Vietnamese literature during 1954-1975. Subsequently, representative fictional works by RVN and NLF writers are analyzed to explore the various stances and levels of commitment supporters of the opposing factions demonstrate toward their respective "imagined communities." It is found that differing images of the Vietnamese woman accurately reflect the different natures of the warring factions. The RVN woman is represented in the fiction of RVN writers (e.g. Vo Phie´n, Nha Ca, Mai Thao, Nguye˜n Thi&dotbelow; Thu&dotbelow;y Vu and Nguye˜n Dinh Toan) as a passive victim of circumstances outside her control and understanding. By contrast, the NLF woman is described by NLF writers (particularly by Anh Duc in Hon Da´t and Phan Tu in Ma˜n and I) as embodying both ly and tinh, the combination of which underlies the nationalists' strength and commitment to their cause of national independence and prosperity. The study concludes with a brief look at Vietnamese postwar fiction in the context of the postwar complexities, and suggests directions for future research on Vietnamese literature and the Vietnam War.
机译:本文研究了越南在西方被称为越南战争的文学表现形式。对战前文学(1858-1945)的分析表明,法国抵抗在19世纪后期发起的早期抵抗文学再次肯定了民族主义的思想(广义上讲是逻辑),而1925-1945年时期的变化则突出了民族主义。 Mine的意义在Vie&tbelow; t Minh成员中具有重要意义,该组织成功地举行了1945年的全国起义,后来在1954年在Bien Phu击败了法国人。在越南战争中,这篇论文首先看非小说。民族解放阵线(NLF)领导人Nguye-n Thi的回忆录; Di&nbn; nh和Truong Nhu Tang与Nguye〜n Cao Ky`反对派越南南方共和国(RVN)领导人范登(Von Don)的Tra`在对民族主义,共产主义,自由和民主的有争议概念的立场和反思上,这些概念定义了战争的原因和形式。对于小说,该研究总结了在1954年至1975年期间主导越南文学各个不同方面的文学趋势和哲学。随后,分析了RVN和NLF作家的虚构小说作品,以探索对立各派对各自“想象中的社区”表现出的各种立场和承诺支持者的水平。发现越南妇女的不同形象准确地反映了交战派别的不同性质。在RVN作家的小说中(例如Vo Phie´n,Nha Ca,Mai Thao,Nguye〜n Thi&Thu' Vu和Nguye〜n Dinh Toan),该RVN女人是她无法控制的情况下的被动受害者。理解。相比之下,NLF作家(特别是Hon Da´t的Anh Duc和Ma〜n的Phan Tu)将NLF女人描述为既体现了ly,又体现了tinh,这两者的结合奠定了民族主义者的力量和承诺他们的民族独立与繁荣事业。该研究以战后复杂性为背景简要回顾了越南战后小说,并提出了有关越南文学和越南战争的未来研究方向。

著录项

  • 作者

    Pham, Duong Thuy Thi.;

  • 作者单位

    The University of British Columbia (Canada).;

  • 授予单位 The University of British Columbia (Canada).;
  • 学科 Literature Comparative.; Literature Modern.; Literature Asian.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 362 p.
  • 总页数 362
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 文学理论;世界文学;
  • 关键词

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