ABSTRACT
摘要
Contents
Chapter One Introduction
1.1 Research Backgrounds
1.2 Research Objectives
1.3 Research Methodology
1.4 Thesis Structure
Chapter Two Feminism and Zhang Ling’s Feminine Consciousness
2.1 Feminism
2.1.1 Definition and Concerns of Feminism
2.1.2 Feminism Reflected in Translation
2.2 Brief Introduction to Zhang Ling
2.3 Zhang Ling’s Feminine Consciousness
Chapter Three Subjectivity and the Embodiment of Zhang Ling’s Subjectivity in Her Translated Works
3.1 A Brief Introduction to Subject and Subjectivity
3.1.1 The Definition of Subject and Subjectivity
3.1.2 The Subject of Translation
3.1.3 The Subjectivity of the Translator
3.1.4 The Acceptability of the Translator’s Subjectivity
3.2 The Embodiment of Zhang Ling’s Subjectivity in Her Translating Practices
3.2.1 Translator’s Subjectivity in Feminist Translation Theory
3.2.2 The Selection of the Original Texts - to Find the “Lost” Female Writers
3.2.3 Prefacing and Footnoting — Manifestation of the Translator’s Gender Identity
3.2.4 Cooperation — the Imitation of the Original Writers
Chapter Four Zhang Ling’s Subjectivity in “The Stranger” and “Life of Ma Parker” from the Perspective of Feminine Consciousness
4.1 A Brief Introduction to Mansfield’s Feminism
4.1.1 An Introduction to Mansfield and Her Works
4.1.2 The Sense of Loneliness in Mansfield’s Stories
4.1.3 The Sense of Disillusionment in Mansfieid’s Stories
4.1.4 Women’s Rebellion in Mansfield’s Stories
4.2 Feminism Consciousness in ‘‘Life of Ma Parker” and “The Stranger’’
4.2.1 Endurance to the Patriarchal Society
4.2.2 Rebellion to the Patriarchal Society
4.3 Zhang Ling’s Subjectivity in Translation Strategies
4.3.1 Prefacing and Footnoting
4.3.2 Supplementing
4.3.3 Cooperation
4.4 Similarities and Differences between Feminism and Zhang Ling’s Feminine Consciousness
4.4.1 Different Social Backgrounds
4.4.2 Different Concrete Concepts of Feminism and Zhang Ling’s Feminine Consciousness
4.4.3 Different Effects on Society
Chapter Five Conclusion
Bibliography
Acknowledgements
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