声明
摘要
Abstract
Contents
Introduction
1．David Henry Hwang and His Literary Achievements
2．Literature Review
3．Theoretical Basis
Chapter 1 Mythological Thinking：The Approach to the Boundary in FOB
1．1 Mythological and Historical Thinking
1．2 Hwang’s Reference of Chinese Traditional Cultural Symbols in FOB
1．2．1 Gwan Gung--the Symbol of Chinese American Heroism
1．2．2 Fa Mu Lan--the Symbol of Chinese American Feminism
1．2．3 The Reference of Simple Beijing Opera Symbols
1．3 The Approach to the Boundary
Chapter 2 Historical Thinking：From‘‘Periphery’’to‘‘Center”in Flower Drum Song
2．1 The Interaction of“Center'’and“Periphery’’
2．2 The Innovative Application of Chinese Traditional Cultural Symbols in Flower Drum Song
2．2．1 The Combination of Visual Symbols
2．2．2 The Combination of Auditory Symbols
2．3 The Dynamic Balance of Chinese and Western Culture
Chapter 3 Dialogue：The Integration of‘‘Periphery’’and‘‘Center’’in Chinglish
3．1 The Dialogue Mechanism of‘‘Semiosphere'’
3．2 The Cultural Dialogue in Chinglish
3．2．1 The Translation of the Primary Modeling System
3．2．2 The Translation of the Secondary Modeling System
3．3 The Misreading in Translation of Text
3．4 The Integration of Chinese and Western Culture in Chinese Semiosphere
Conclusion
Bibliography
Acknowledgments
