Acknowledgements
摘要
Abstract
Contents
1.Introduction
1.1 Introduction to Doris Lessing and the stories
1.2 Literature review
1.3 Task,Method,and Structure of the Thesis
1.3.1 Task of the thesis
1.3.2 Method of the thesis
1.3.3 Structure of the thesis
2.Coincidental Consistency with Freudian Theory in The Grass is Singing
2.1 Displacement and Condensation of Mary’s Dream-thoughts
2.2 Existence of Electra Complex in Mary’s Case of Hysteria
3.Inconsistency with the Freudian Theory
3.1 Vestige of Consistency with Freudian Theory
3.1.1 Displacement and condensation of the demon image
3.1.2 Displacement and condensation of the "malicious hermaphroditic dwarf"
3.2 Disappearance of Electra complex
3.2.1 Absence of Electra complex in Susan’s case of hysteria
3.2.2 Absence of Electra complex in Anna’s case of hysteria
3.3 Substitution of the Freudian Repression Model
3.3.1 Substitution of the Freudian id,the demon image
3.3.2 Substitution of the Freudian superego,the intelligence
3.4 Re-interpretation of the Freudian Trauma
3.4.1 Recurrent hallucinafions as Self-knowledge and Self-heal
3.4.2 Recurrent nightmares as Self-knowledge and Self-heal
3.4.3 Irrational,rather than rational,interpretation of trauma
4.Transcendence over Psychoanalysis
4.1 Transcendence over Phallocentricism and Gynocentricism
4.2 Transcendence over Compartmentalization
4.3 Transcendence over Archetypal Diagnosis
5.Conclusion
BIBLIOGRAPHY