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读者在文学活动中的主体作用 读者的积极阅读在文学意义探寻中的作用研究

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英文文摘

Acknowledgements

Introduction

Chapter 1 The Reestablishment of the Reader's Role in the History of Literary Criticism

1.1 The Reader in Traditional Literary Criticism

1.2 The Reader in the Reader-Oriented Criticism

1.2.1 The Various Models of the Reader

1.2.2 A Further Analysis of the Main Concepts of the Reader

Chapter 2 The Significance of Reading in Contemporary Literary Theory

2.1 The Relation Between Reading and Literary Meaning

2.2 The General Divisions of Reading

2.3 The Divisions of Reading Expounded by Theorists and Critics in Literary History

2.4 Passive Reading and Active Reading

Chapter 3 Reading as Secondary Creation

3.1 The Factors Relevant to the Reader's Active Participation in Reading

3.1.1 The Objective Factors

3.1.2 The Subjective Factors

3.2 The Reader's Active Role in His Concretization of the Text

3.2.1 The Reader's Expectations Before Reading

3.2.2 The Adjustment of the Reader's Expectations(Aesthetic Patterns)

3.2.3 The Filling up of the Blanks

3.3 The Levels of the Secondary Creation of the Reader

3.4 The Reader's Role in the Reading of Different Sorts of Texts

3.4.1 The Difference Between Modernist and Traditional Texts

3.4.2 The Role the Reader Plays Respectively in the Reading of the Three Sorts of Texts

Chapter 4 Reading and Misreading

4.1 Correct Reading and Misreading

4.1.1 The Definition of Misreading

4.1.2 The Divisions of Misreading

4.1.3 The Manifestations of Misreading

4.2 Harold Bloom's Theory of Misprision

4.3 The Significance of Misreading to Literature

Chapter 5 Repetitive Reading and the Realization of Literary Value

5.1 The Necessity of Repetitive Reading

5.1.1 The Necessity as Viewed from the Text

5.1.2 The Necessity as Viewed from the Individual Reader

5.1.3 The Necessity as Viewed from Society and History

5.2 Reading and Literary Canon

5.2.1 The Definition of Literary Canon

5.2.2 Reading and the Formation of Literary Canon

5.3 Reading and the Realization of Literary Value

Conclusion

Bibliography

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摘要

本文旨在认真研究读者的阅读活动,结合古今中外的经典文学作品,在阅读的各个环节上突出读者的主体意识,探讨其能动的创造作用与对文学价值实现的意义。  根据读者的主体身份在文学活动中的不同表现形式和层次,并结合具体文本的分析,本文展开对于文学阅读活动中读者主体身份作用的探讨。 本文由下列五部分组成。第一章:读者在文论史上主体地位的重新确立。本文概述了读者在文论史上的地位,指出对读者地位的认识、强调和重视可追溯到古典时期,并在柏拉图、亚里士多德、贺拉斯、德莱顿和约翰逊的著作中有着详细的论述。第二章:阅读在当代文论中的重要性。第三章:本章是全文的重点部分,即读者在阅读中文本的具体化过程,包括读者在阅读前的期待,阅读中期待视野的调整以及具体的填充活动。第四章:正读与误读。对误读的肯定和强调即是对积极阅读的强调,以期读者在阅读过程中有新的发现、新的创造。如果我们承认正读的存在,那么,历代读者的不断的误读会克服理解中的盲视,以达到阅读中的洞见。第五章:多读与文学价值的实现。  本文指出读者反应文论所存在的问题和局限性,正是这些问题的存在使得文学研究中的文化研究成为必然。

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