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The Psychological Conflict of Main Actor in The Suffragette Film by Sarah Gavron Based on Kurt Lewin's Perspective

机译:基于Kurt Lewin的观点,Sarah Gavron的主持人主动家的心理冲突

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The purpose of this research is: (a) to describe the types of psychological conflict of the main actor in the suffragette film based on Kurt Lewin's perspective; (b) to explain the causes of psychological conflict of the main actor in the suffragette film based on KurtLewin's perspective; (c) and to understand the impact of the psychological conflict of main actor in the Suffragette films based on Kurt Lewin's perspective. This research is a descriptive qualitative study. The primary data source is a film titled Suffragette directed by Sarah Gavron and secondary data sources in the form of books, journals, and the internet related to this study. The techniques of data collection used are watching, reading, and noting. The techniques of data validation used are increasing perseverance, triangulation, and discussing with the expert. The data analysis technique used is by understanding, grouping, and interpreting data. The results of the study show that: (a) The types of psychological conflict in this film are (1) Approach-approach conflict; (2) Approach-avoidance conflict; and (3) Multiple approach-avoidance conflict; (b) The causes of the conflict are: (1) Maud Watts replaces Violet to convey her witness about women; (2) Violet invited to attend a women's movement meeting led by Mrs. Pankhurst; (3) Maud Watts received an offer from Mr. Steed is a law enforcer to become a suffragette spy; (c) The impacts of the psychological conflict to main actor are:(1) Maud Watts experienced disappointment with the government, the family of Maud Watts became unharmed because her husband continued to be ridiculed by friends at his workplace. Maud Watts was also ostracized by his neighbors; (2) Maud Watts suffered tortures such as punches and verbal abuse from the police, the husband did not allow him to meet George. Maud Watts felt deep sadness at parting with George, and a great disappointment to her husband; (3) Maud Watts felt sadness mixed with remorse due to the death of Emily for her struggle.
机译:本研究的目的是:(a)根据Kurt Lewin的角度来描述主动胶片中主要演员的心理冲突类型; (b)根据Kurttlewin的角度解释后叉电影中主动家的心理冲突的原因; (c)基于Kurt Lewin的角度,了解主动家心理冲突的影响。该研究是一个描述性定性研究。主要数据源是标题为Sarah Gavron和辅助数据源以书籍,期刊和与本研究相关的互联网的次要数据源指定的eastRagette的电影。使用的数据收集技术正在观看,读取和注明。使用的数据验证技术越来越突出,三角测量和与专家讨论。使用的数据分析技术是通过了解,分组和解释数据。研究结果表明:(a)这部电影中的心理冲突类型是(1)接近冲突; (2)接近避免冲突; (3)多次接近避免冲突; (b)冲突的原因是:(1)Maud Watts取代紫罗兰,向妇女的证人传达她; (2)紫罗兰邀请参加Pankhurst夫人领导的妇女运动会议; (3)Maud Watts收到了斯特瑞先生的报价是一项法律执行者,成为一个Supragette Spy; (c)心理冲突与主要演员的影响是:(1)Maud Watts经历了政府的失望,Maud Watts的家庭变得没有受伤,因为她的丈夫继续在他的工作场所的朋友嘲笑。 Maud Watts也被他的邻居排斥; (2)Maud Watts遭遇折扣,如拳打和言语虐待警察,丈夫不允许他见到乔治。 Maud Watts在与乔治分手的情况下感到深深的悲伤,对她的丈夫感到非常失望; (3)Maud Watts感到悲伤,因为艾米莉为她的斗争而死于悔恨。

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