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Interpretation of the Point-Line-Surface in Art Film from 'Right Now, Wrong Then'

机译:从“现在的艺术电影中的点线表面的解释”

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"Right now, wrong then" is an art film which is directed by Korea director Sang-soo Hong and starred by the famous actor Jung Jae-young and actress Kim Min Hee. It tells the feeling change between a film director and a female painter from their encounter to knowing each other. As the bold repetition of the film, it tells the same story twice, so soon after release it receives a high attention in Korean art film industry, and also sets off a "Sang-soo Hong upsurge". "Right now, wrong then" continues director Sang-soo Hong's artistic, minimalist, reflective creation style, and in character shaping, it more skillfully uses Sequence dolly shot and flat structure. Based on the flat structure of art film, this paper analyzes the artistic accomplishments of "Right now, wrong then" from embellishment, segmentation and perspective three aspects by means of basic point-line-surface elements of two - dimensional plane.
机译:“现在,错误然后是”是一部由韩国主任的艺术电影桑得康,并由着名演员Jung Jae-Young和女演员Kim Min Hee主演。它讲述了电影导演和女性画家之间的感觉变化,从他们的遭遇相互了解。随着电影的大胆重复,它讲述了两次同样的故事,因此在释放后即将在韩国艺术电影行业的高度关注后,也掀起了一个“桑苏洪高潮”。 “现在,错误然后”继续导演桑得洪的艺术,极简主义,反思创作风格,以及字符塑造,它更巧妙地使用序列多莉射击和平坦的结构。本文根据艺术薄膜的平坦结构,通过二维平面的基本点线表面元素来分析“现在,错误的艺术成就”现在,错误“,从点缀,分割和透视三个方面。

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