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Social Critics of Raden Ngabehi Ranggawarsita in Javanese Literature

机译:爪哇文学中狭窄ranggaraita的社会批评

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The creation of literary works, both oral and written, aims to inform leaders, women; as social critics; advice to the community to do good or as a social control. A famous, creative, criticizing and innovative poet in the creation or writing of Javanese literature is Raden Ngabehi Ranggawarsita, the last poet of Surakarta Hadiningrat Palace. The location of this research is in the city of Surakarta where there is a palace of Kasunanan and Pura Mangkunegaran, there are still old texts stored in 3 (three) libraries: Sanapustaka (Surakarta palace), Reksapustaka (Mangkunegaran), and Radyapustaka (Sriwedari). The main data of this research are the manuscripts of Serat Jayengbaya, Kalatidha, and Serat Jaka Lodhang written by R.Ng. Ranggawarsita. Data collection techniques are inventorying manuscripts through catalogs and checking directly to the location, transliteration and text translation, also analysis of manuscripts. The research method is qualitative descriptive, which is the writing is revealed, analyzed and interpreted in qualitative terms, the analysis cannot be measured by statistics because the data are in the form of words or the world in words (Winarno Surakhmad, 1980: 61); especially texts which contain social criticism. Secondary data in the form of oral literature or traditional Javanese expressions that contain social criticism. Raden Ngabehi Ranggawarsita's social criticism conveyed in his writings are: (a) many people are not grateful for God's gift in the field of work; described in Serat Jayengbaya. (b) Leaders, subordinates and people do not want to consult and no one wants to budge; so that the problems of the nation and state are difficult to be resolved (in Serat Kalatidh). (c). Many people because their lives are only oriented to money, property and women; so that they are full of plays and deception for the benefit of themselves and their groups (in Serat Jaka Lodhang).
机译:文学作品的创造,口头和书面,旨在告知领导者,妇女;作为社会批评者;向社区建议做好或社会控制。在爪哇文学的创作或写作中着名,创造性,批评和创新诗人是Raden Ngabehi Ranggarsita,Surakarta Hadiningrat Palace的最后诗人。这项研究的位置位于萨拉塔塔市,宫殿宫和Pura Mangkunegaran,仍然存在旧文本,储存在3(三)图书馆:Sanapustaka(Surakarta Palace),Reksapustaka(Mangkunegaran)和Radyapustaka(Sriwedari) )。该研究的主要数据是Serat Jayengbaya,Kalatidha和Serat Jaka Lodang的稿件由R.ng编写。 Ranggawarsita。数据收集技术通过目录和直接检查到位置,音译和文本转换,也分析了手稿的稿件。研究方法是定性描述性的,其在定性方面被揭示,分析和解释,分析不能通过统计来衡量,因为数据以单词或世界的形式(Winarno Surkhmad,1980:61) ;特别是包含社会批评的文本。口腔文学或传统爪哇表达式的次要数据,包含社会批评。 Raden Ngabehi Ranggaraita在他的着作中传达的社会批评是:(a)许多人并不感谢上帝在工作领域的礼物;在Serat Jayengbaya中描述。 (b)领导,下属和人们不想咨询,没有人想要比赛;因此,难以解决国家和国家的问题(在Serat Kalatidh)。 (C)。许多人因为他们的生命仅取向金钱,财产和妇女;因此,他们充满了对自己和他们的团体的利益和欺骗(在Serat Jaka Lodhang)。

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