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Aesthetic Research of Colors in Chinese Folk Art

机译:中国民间艺术颜色的美学研究

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摘要

Chinese folk art is a traditional ethnic culture formed through long-time historical sedimentation. Since a relatively complete color system has been developed in folk art, and distinct color esthetic characteristics have been formed, numerous researchers have been attracted to focus on the topic of aesthetic research of colors in Chinese folk art. From another point of view, aesthetic research of colors in folk art is of great significance to the exploration of the artistic value of today's society. The unique Chinese traditional culture showed in the colors of fine arts doesn't only contain profound folk spirit and has deep historical and cultural value, but also can enlighten color esthetic in artistic design and guide realistic design that show the unique artistic charm. In this paper, the writer has roughly introduced the process that the colors in Chinese folk art came into being, the concept of the colors in Chinese folk art, and the contents of the colors of fine arts, and interpreted the basic characteristics of colors in folk art from the aspects of subjectivity, stylization, regionalism, and symbolism to analyze and summarize its aesthetic value, with an aim to providing reference for future research on Chinese traditional culture.
机译:中国民间艺术是通过长时间的历史沉淀而形成的传统民族文化。由于一个相对完整的色彩体系民间艺术得到发展,并已形成了鲜明的色彩审美特点,许多研究人员都被吸引到专注于中国民间艺术在色彩美学研究的课题。从另一个角度来看,民间艺术在色彩美学研究是当今社会的艺术价值的探索具有重要意义。在美术的色彩表现独特的中国传统文化不仅包含深厚的民间精神,具有深厚的历史文化价值,同时也能在艺术设计开导颜色美观,指导现实的设计,展现出独特的艺术魅力。在本文中,笔者已经大致介绍了中国民间艺术中的颜色应运而生,中国民间艺术在色彩的概念,以及美术色彩的内容的过程,并解释颜色的基本特征从主体性,风格化,区域,和象征等方面的民间艺术进行分析和总结其审美价值,以目标对中国传统文化为今后的研究提供参考。

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