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Women Self-Image in Sundanese Short Story Collection

机译:妇女在阳光短篇小说集合中的自我形象

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This research begins with the presence of Sundanese literary works, especially short story which tells about female characters. This study aims to describe the world picture of women according to their nature which acts as a mother and as a wife on short story Panggung Wayang by Aam Amilia. The source of this research data is in the form of words, phrases, and sentences originating from several figures from short story Panggung Wayang by Aam Amilia collection. The data collection technique used in this study uses the technique of reading and recording. The data in this study were analyzed using a feminist approach. The results of the discussion in this study are in the form of a world picture of women who play a role in the domestic, public, and both world settings without leaving their nature as women. In addition, from the overall story of women leaders are dominated by domestic aspects, namely the image of women as mothers, the image of women as wives, the image of women as mothers or wives who play directly outside the home to get parity without leaving their nature, the image of women as loyal and intelligent wife, and the image of the woman who was portrayed negatively as the second woman.
机译:这项研究始于阳光文学作品的存在,特别是短篇小说,讲述了女性角色。本研究旨在根据自己的性质描述世界妇女的画面,它作为母亲和作为妻子的妻子,由AAM Amilia成为巨大的故事。该研究数据的来源是单词,短语和句子的形式,源自来自短篇小说Panggung Wayang的若干图的句子。本研究中使用的数据收集技术使用读取和录制技术。使用女权主义方法分析了本研究中的数据。本研究中讨论的结果是世界上在国内,公众和世界各地发挥作用的世界画面的形式,而不将其自然作为女性。此外,从妇女领导人的整体故事都是由国内方面的主导,即妇女的形象作为母亲,妇女的形象作为妻子,妇女的形象作为母亲或妻子直接在家外玩的母亲或妻子在没有离开的情况下在家里玩平价他们的性质,妇女的形象作为忠诚和聪明的妻子,以及被描绘为第二个女人的女人的形象。

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