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Teaching Multimodal Ethnography with 'New' Media Technologies for WMSCI 2010

机译:在WMSCI 2010中使用“新”媒体技术教授多模式民族志

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In "A Pedagogy of Multiliteracies: Designing Social Futures," the New London Group established a four-step platform to transform students' approaches to learning and literacy. The authors of this paper build upon that vision, combining it with those of Richardson, Reed, Borsheim, Jenkins, and others who insist that novel approaches to pedagogy are needed to ground budding anthropologists in the emerging setting of digital scholarship and its visual, audible and interactive settings. Initiated in 2008, the College of Charleston's "Center for Expressive Culture" has engendered new approaches to teaching and learning that address critical media literacies for students of the social sciences and humanities. New and readily available technologies enable the documentation of cultural objects for a fresh generation of ethnographers; they also enhance the collection, organization and visualization of data. In this paper, we discuss the experience of creating multiliterate students from a number of disciplines; we consider the expansion of field sites to virtual communities and explore the lessons learned after three semesters of a course aimed at teaching expressive cultural research methods to undergraduates. Best practices are examined in light of obstacles like the time-consuming nature of ethnographic research and multimedia production, the importance of teaching both theory and practice in depth, and the need to address ancillary but important issues like ethics and social responsibility. The paper explains how, within the changing landscapes of social media, intellectual property, and information literacy, students learned to operationalize ideological theories in praxis; in the process, they confronted language and its relationship to culture and society even as they tackled the fundamentals of producing ethnographies and documentaries in the emergent world of new media technology.
机译:在“多元文化教育学:设计社会未来”中,新伦敦小组建立了一个四步平台,以转变学生的学习和识字方法。本文的作者基于这一愿景,并将其与Richardson,Reed,Borsheim,Jenkins以及其他坚持认为需要新颖的教学法方法的人们相结合,以使新兴的人类学家在新兴的数字学术环境及其视觉,听觉环境中扎根和互动设置。查尔斯顿学院的“表达文化中心”始建于2008年,为社会科学和人文学科的学生提供了解决关键媒体素养的教学新方法。新的和容易获得的技术使得能够为新一代的民族志学家记录文化物品。它们还增强了数据的收集,组织和可视化。在本文中,我们讨论了从多个学科中培养多语言学生的经验。我们考虑将现场站点扩展到虚拟社区,并探索在旨在向大学生教授表达性文化研究方法的课程的三个学期后获得的经验教训。最佳实践是根据障碍进行研究的,这些障碍包括民族志研究和多媒体制作的耗时性质,深入教授理论和实践的重要性以及解决诸如道德和社会责任等辅助但重要的问题的必要性。本文解释了在社会媒体,知识产权和信息素养不断变化的环境中,学生如何学会实践实践思想理论;在此过程中,他们解决了语言及其与文化和社会的关系,即使他们解决了新兴媒体技术世界中制作人种志和纪录片的基本问题。

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