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篆刻藝術的發展過程及其特色

机译:篆刻艺术的发展过程及其特色

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摘要

In China, seals were used quite earlily as practical matters. But artistic real-carving didn’t develop quite a long time later until the collection and appraisement of calligraphy and painting prevail.udMasterpieces of calligraphy and painting were put mark on to tell if they were genuine or counterfeited. At first people signed on the masterpieces or the accessories. They also testify with seals sealed on the articles, and in this way artistic beauty is especially required to secure coordination. Besides appraising seals, private and official seals were also used to identify the authors of the masterpieces. The combination of appraising seals, calligraphy and paintings was the first step that led they way for seals to be arts with great significance.udThe application of seals on calligraphy, painting and appraising urged the literary men to respect the artistic beauty of seals. But due to the hard materials, the literary men designed scripts on seals and then ordered the workers to carve for them. Seal-carving arts did not flourish until the literary men carved by themselves. From Soong to Yuan dynasties, rock materials made it possible for the literary men to carve and thus promoted them to be devoted on seal carving.udThe discovery of seal materials helped to develop the theories issued in Yuan dynasty by Chao Meng-Fu and Wu Chiu-Eng. Those were great milestones for the development of seal arts.udChao Meng-Fu suggested the idea of estheticism on seals. He criticized and opposed the fanciful and vulgar methods at that time, and moreover introduced the concept of plainness and elegance. The estheticism of Han-seal was thus set up and continued to make great influence on seal carving.udWu Chiu-Eng’s theory of learning the ancients was esteemed as the first classic writing of seallogy. It established significant foundation in the theory of seal-carving arts.udIn Ming dynasty, it became popular to collect ancient seal genealogy. The fashion of imitating Han-seals pushed the seal-carving arts to a top development.udThe publication of Seal-Collection and seal genealogy made the cavers learn the beauty of Han seals through ancient ones. Seal carvers appeared in great quantities. Seal carving arts became popular and promoted the development of seallogy theories on seal material, writing, figuring and carving.udFrom Ching dynasty on, factions of seals developed prosperously and theories were discussed more widely and deeply. Seals Originated In Calligraphy and Seals Beyond Seals were the most important. People thought that the creation of seal carving required learning from multiple masters and respective calligraphy. In order to make the seal styles more affluent, they must gain the nutrition of tablets and antiques.udDeng Shi-ru’s “Seals originated in calligraphy” was derived from the inscription calligraphy. Only the seals with characteristic style could make the creator surpass the range of ancients and create new image of arts.udChao Tse-Chien’s “Seals beyond seals” appeared due to the prevalence of verification, the affluence of antiques and the gathering of literary men. It was the spring of seal varieties. By reacting with seal feature, it broadened the contents of seal arts.ud“Seals beyond seals” was considered to be the supplement of “Seals originated in calligraphy.” The latter emphasized characteristic style of calligraphy on the feature of seal carving, while the former adopted ancient literary letters as nutrition to broaden the style and display of respective seals. Though originated in different ways, the both were connected with calligraphy and the seals all displayed with ego characters. These two theories became popular art thoughts on seals. Seal-carving hence developed atop.udFacing the historic development of seal-carving, we are in an era with better codnitions than the ancients. We should learn more about ancient seal theories, but not be limited within the range of them. Every theory has its backgrounds and conditions of time and space. We ought to keep the quintessence and discard the unfit. Only in this way can we make a breakthrough to get more affluent developments, explore and advance to light up the vision of seal arts.
机译:在中国,海豹很早就被用作实际工作。但是,直到真正的书画收藏和评估盛行之后,艺术真雕才发展了很长时间。 ud书法和绘画的杰作都被打上了烙印,以表明它们是真品还是伪造品。首先,人们在杰作或配件上签名。他们还用密封在物品上的印章作证,因此特别需要艺术美来确保协调。除了评估印章外,还使用私人和官方印章来识别杰作的作者。鉴定,书画的结合,是使印章成为具有重要意义的艺术的第一步。但是由于材料的艰辛,文学家们在印章上设计了剧本,然后命令工人为他们雕刻。直到文学家们自己雕刻之后,海豹雕刻艺术才繁荣起来。从宋代到元代,岩石材料使文人得以雕刻,从而促进了他们对seal刻的研究。吴超英那是封印艺术发展的重要里程碑。 ud Chao Meng-Fu提出了封印美学思想。他批评和反对当时的幻想和粗俗的方法,并且介绍了朴素和优雅的概念。汉封的美学由此建立,并继续对seal刻产生重大影响。 u吴超英的古人学习理论被认为是as刻的第一部经典著作。它为seal刻艺术理论奠定了重要的基础。 ud在明代,它成为收集古代seal刻家谱的流行。模仿汉密封的方式将海豹雕刻艺术推向了新的高度。 ud海豹收藏和海豹谱系的出版使穴居人从古代开始学习汉海豹的美。海豹雕刻师大量出现。刻艺术的兴起,推动了seal刻材料,文字,图形和雕刻等seal刻理论的发展。来自书法的印章和超越印章的印章是最重要的。人们认为,seal刻的创作需要向多位大师和各自的书法学习。为了使印章样式更富裕,他们必须获得平板电脑和古董的营养。 ud邓诗如的“书法印章”源于题字书法。只有具有特色的印章才能使创作者超越古代人的范围,并创造新的艺术形象。男人们那是海豹品种的春天。通过对印章特征的反应,拓宽了印章艺术的内容。 ud“印章以外的印章”被认为是“源自书法的印章”的补充。后者在seal刻特征上强调书法的特色风格,而前者则采用古代文学字母作为营养,拓宽了各个s刻的风格和展示方式。尽管起源不同,但两者都与书法联系在一起,而印章则全部以自我形象显示。这两种理论成为关于印章的流行艺术思想。面对海豹雕刻的历史发展,我们处于一个比古代人拥有更好的习俗的时代。我们应该更多地了解古代海豹理论,但不仅限于此。每个理论都有其背景和时空条件。我们应该保持精髓,摒弃不适当的地方。只有这样,我们才能取得突破,以获得更多的富裕发展,探索和进步,以点亮印章艺术的视野。

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    陳星平;

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