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Autopoietic organisation of knowledge, creativity and innovation : a case study of the automotive manufacturere Daimler AG

机译:自主创新的知识,创造力和创新组织:汽车制造商Daimler aG的案例研究

摘要

This doctoral thesis presents an analysis of the context in which creativity and innovation emerges. It is based on an investigation of a single case organisation. The theoretical framework for the study derived from a number of fields, including organisational studies, social science and systems theory. Of particular importance were studies of organisational systems, their function, and the dynamics that allow creativity and innovation to emerge. Autopoietic system theory is relevant here. The empirical work was conducted in a single large case study organisation based in Germany. Daimler AG, served as the site of data collection. The data for analysis was generated from a survey, focus groups and interviews. The study identified large organisational structures such as organisational design, culture and information and knowledge, which constrain or enable the fluid process of routines, individuals' interactions, and knowledge and idea creation. These structures are highly interrelated and correlate with the organisational innovation performance. These structures turn into fluid patterns of individual and group creativity. Nine patterns were identified, which build a pattern language of creativity in organisations. This pattern language consists of three main "pattern rules". The contribution of the study is the identification of three main factors or "pattern rules" that underpin creativity and innovation. These are (1) diverse experienced experts within the "thick of the action"; (2) innovation willingness to create and support change; (3) "free space" where employees can explore, create and prototype new ideas. In this thesis this concept is labelled "Freiraum", which is the German word for "free space" in which individuals and teams can achieve their potential. These rules build a model of two spaces, which facilitate a spiral of creativity driven by the innovation willingness. This model provides explanation of how creativity and innovation emerges within the context of an organisation. This work draws particular attention to the dynamics of creativity and innovation, and the influence of organisational control on redundancy of the system, where high control leads to low redundancy and vice versa.
机译:该博士论文对创造力和创新出现的背景进行了分析。它基于对单个案件组织的调查。该研究的理论框架来自多个领域,包括组织研究,社会科学和系统理论。特别重要的是对组织系统,其功能以及允许创造力和创新出现的动力的研究。自体系统理论在这里是相关的。实证工作是在德国的一个大型案例研究组织中进行的。戴姆勒公司是数据收集的站点。分析数据来自调查,焦点小组和访谈。该研究确定了大型组织结构,例如组织设计,文化以及信息和知识,这些结构约束或启用了例程,个人的互动以及知识和思想创造的流畅过程。这些结构高度相关,并与组织创新绩效相关。这些结构变成了个人和团队创造力的流动模式。确定了九种模式,这些模式构建了组织中创造力的模式语言。该模式语言由三个主要的“模式规则”组成。该研究的贡献是确定了支撑创造力和创新的三个主要因素或“模式规则”。这些是(1)“行动范围”内的各种经验丰富的专家; (2)创新意愿创造并支持变革; (3)“自由空间”,员工可以在其中探索,创建和构思新想法。在本文中,该概念被标记为“ Freiraum”,这是德语中“自由空间”的意思,个人和团队可以在其中发挥其潜能。这些规则建立了两个空间的模型,这促进了创新意愿驱动的创造力螺旋式上升。该模型说明了组织中如何发挥创造力和创新。这项工作特别关注创造力和创新的动力,以及组织控制对系统冗余的影响,其中高控制导致低冗余,反之亦然。

著录项

  • 作者

    Auernhammer Jan Michel;

  • 作者单位
  • 年度 2012
  • 总页数
  • 原文格式 PDF
  • 正文语种 English
  • 中图分类

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