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Narrative empathy in Toni Morrison's Beloved and Home. An approach to teaching these works in upper secondary school in Norway

机译:托妮莫里森的“宠儿与家”中的叙事同理心。在挪威高中教授这些作品的方法

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摘要

The following thesis uses Toni Morrison’s two novels Beloved and Home to demonstrate how multiple narrative perspectives can be used to prevent as well as evoke reader’s empathy. Furthermore, the thesis suggests using her work in upper secondary school to teach students about how narrative perspectives might manipulate empathy, which can enable them to reflect upon how different perspectives affect them emotionally in real life. Morrison’s works contain multiple focalizers and complex narrative structures, which complicate readers’ empathy. Morrison challenges the ethical stands of her readers through the representation of complicated traumatic events in Beloved and Home. Judylyn S. Ryan writes that Morrison’s techniques “add complexity to the reader’s interrogation and interpretation of motivation” (Ryan 159), and this thesis uses her novels to show how she questions the limitation of human empathy. The research in the field of narrative empathy is expanding, and academics from different fields disagree about two central questions when it comes to narrative empathy; (1) whether or not narrative empathy leads to altruistic behaviour, and (2) which narrative techniques are most effective for the cultivation of reader’s empathy. Suzanne Keen’s Empathy and the Novel and Martha Nussbaum’s Cultivating Humanity and Upheavals of Thought are the thesis’ major theoretical sources. Whereas Nussbaum considers narrative imagination as essential to the process of becoming a more empathetic citizen, Keen is more critical of theories confirming that narrative empathy leads to altruistic behaviour. Keen claims that the lack of empiric research in these approaches weakens the empathy-altruism theory. The thesis’ didactical approach concerns the importance of literature when teaching upper secondary students in Norway. It argues that analysing narrative perspectives used for manipulation of reader’s empathy, by either enforcing or problematizing it, is important for awareness of these manipulations in real life as well.
机译:以下论文使用托尼·莫里森的两本小说《宠爱的人》和《家庭》来说明如何使用多种叙事视角来预防和唤起读者的共鸣。此外,论文建议她用她在高中时期的工作向学生讲解叙事视角如何操纵同理心,这可以使他们反思现实生活中不同观点如何在情感上影响他们。莫里森的作品包含多个聚焦点和复杂的叙事结构,使读者的同理心更加复杂。莫里森通过《心爱的家》中复杂的创伤事件的表现来挑战读者的道德立场。茱迪琳·瑞安(Judylyn S. Ryan)写道,莫里森的技术“增加了读者对动机的审问和解释的复杂性”(瑞安159),并且本文以她的小说来展示她如何质疑人类同理心的局限性。叙事共情领域的研究正在扩展,来自不同领域的学者在叙事共情方面存在两个中心问题。 (1)叙事共情是否会导致利他行为,以及(2)哪种叙事技巧最能培养读者的共情。苏珊·基恩(Suzanne Keen)的《移情》和小说以及玛莎·努斯鲍姆(Martha Nussbaum)的“培养人性和思想剧变”是论文的主要理论来源。努斯鲍姆(Nussbaum)认为叙事想象力对于成为一个更善解人意的公民至关重要,而基恩(Keen)对理论的批评则更多,这证实了叙事共情会导致利他行为。基恩(Keen)声称,在这些方法中缺乏经验研究,削弱了移情-利他主义理论。本文的教学方法涉及到在挪威教授高中生时文学的重要性。它认为,通过对读者的移情进行强制或质疑来分析用于操纵读者的同情的叙事视角,对于现实生活中对这些操纵的认识也很重要。

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    Rindstad Karoline;

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  • 年度 2015
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  • 正文语种 eng
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