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Indeterminacy, the I Ching, and John Cage: A New Design Method for Landscape Architecture

机译:不确定性,易经和约翰·凯奇:景观建筑的新设计方法

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摘要

The creative use of indeterminacy (i.e. "chance") is an often overlooked design opportunity despite the universality of chance in art, nature, science and life. How can "chance", a seemingly capricious phenomenon be made to work for someone? One controlled use of chance is through the Chinese I Ching "chance operations" method of composer and artist John Cage (1912-1992). This thesis addresses the questions of how one might approach using this method in landscape architectural design, what would be the outcome of such an indeterminate design and whether or not it could lead to a constructed landscape. In addition, this thesis will answer the question: what is the relationship between the I Ching, John Cage and the constructed landscape, anyway? The final product of this thesis will be a new redesign of an existing plaza using Cage's techniques and a comparative evaluation among the new indeterminate concept and two preexisting designs using the original plaza program objectives as a guide against which the three designs can be judged for effectiveness.
机译:尽管不确定性在艺术,自然,科学和生活中具有普遍性,但创造性地使用不确定性(即“机会”)是经常被忽视的设计机会。如何使“看似反复无常的现象”对某人起作用?机会的一种受控使用是通过作曲家兼艺术家约翰·凯奇(1912-1992)的中国易经“机会操作”方法进行的。本文解决了以下问题:如何在景观建筑设计中使用这种方法,这种不确定设计的结果是什么以及它是否会导致人造景观。此外,本文将回答以下问题:无论如何,《易经》,《约翰·凯奇》和已建成的景观之间是什么关系?本文的最终产品将是使用Cage的技术对现有广场进行新的重新设计,并对新的不确定概念和两个先前存在的设计进行比较评估,并使用原始广场计划的目标作为指导,以此来判断这三个设计的有效性。

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    Morse Barry Ray;

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  • 年度 2007
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  • 原文格式 PDF
  • 正文语种 en
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