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Native Designers of High Fashion: Expressing Identity, Creativity, and Tradition in Contemporary Customary Clothing Design

机译:高端时装的本土设计师:在当代习俗服装设计中表达身份,创造力和传统

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摘要

American Indian traditional art forms have been reincarnated by contemporary Native designers and placed on human bodies in the form of haute couture. This project examines culture and identity through a historical and sociocultural analysis of contemporary Native American clothing design. This project focuses on the use of clothing design and adornment to promote cultural traditions and maintain a `Native' identity. I equate this communicative use of design with the traditional role of storytelling: it allows Native designers to express, interrogate and subvert notions of Indianness; to create and perpetuate cultural traditions; to enhance aesthetic aspects of dress design; and to build and maintain community.This project explores the world of Native high fashion, and provides a cultural contextualization and analysis pertaining to identity, creativity, and tradition. I hypothesize that these contemporary designers continue the long practice of incorporating the new with the old, and, in effect, creatively carry on their cultural traditions. Whether they update Native clothing styles of the 1800s, or Indianize contemporary fashion, these designers explore how modern cuts and materials can be blended with traditional cultural design concepts and symbols to create unique, expertly constructed, artistic, and highly valued garments. These artists have taken up new materials to display their traditional art forms in innovative ways to uphold and maintain their unique cultures, and to celebrate their heritage by educating a non-Indian buying public.Using an interdisciplinary approach, I attempt to gain an insider's understanding of Native fashion by interviewing principle actors in the industry, by observing and participating in cultural and trade events, and by researching its history in archived records, stories and garments. The goal of this research is to add to the sparse literature on Native clothing, art, creativity, and identity by providing the only comprehensive critical scholarship on contemporary Native American fashion design.
机译:美洲印第安人的传统艺术形式已被当代的土著设计师重新传承,并以高级时装形式出现在人体上。该项目通过对当代美国原住民服装设计的历史和社会文化分析来研究文化和身份。该项目着重于服装设计和装饰的使用,以促进文化传统并保持“本地”身份。我将这种交流性的设计等同于讲故事的传统作用:它使土著设计师能够表达,审讯和颠覆印第安人的观念;创造和延续文化传统;增强服装设计的美学方面;该项目探索了土著高级时装的世界,并提供了与身份,创造力和传统有关的文化语境和分析。我假设这些当代设计师继续将新旧结合的长期实践,实际上是创造性地继承了他们的文化传统。无论他们是更新1800年代的土著服装样式,还是印度化当代时尚,这些设计师都探索如何将现代的剪裁和材料与传统的文化设计概念和符号融合在一起,以创造出独特的,经专业构造,艺术性和高价值的服装。这些艺术家采用了新的材料,以创新的方式展示其传统艺术形式,以维护和维护其独特的文化,并通过教育非印度人购买公众来庆祝其遗产。我试图通过跨学科的方法来获得内幕人士的理解通过采访该行业的主要演员,观察和参加文化和贸易活动以及通过在档案记录,故事和服装中研究其历史来了解本地时尚。这项研究的目的是通过提供有关当代美国原住民服装设计的唯一全面的批判性奖学金,来增加有关土著人的服装,艺术,创造力和身份的稀疏文献。

著录项

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    Metcalfe Jessica RheAnn;

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  • 年度 2010
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  • 原文格式 PDF
  • 正文语种 EN
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