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‘A princess strives for perfection’. Modelization of women in Disney movies from The Little Mermaid to Brave

机译:“公主追求完美”。从《小美人鱼》到《勇敢传说》的迪士尼电影中的女性造型

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摘要

The modelization of women in what is known as Disney “Princesses” movies has changed notably since the creation of Snow White and the Seven Dwarfs in 1937 until nowadays. While at the beginning the role of female characters was linked to housework and marriage, this stereotype changed gradually ending up with the production of Disney “Princesses” movies in which the heroines are depicted as active women who take control of their lives without the need of a man for a happy ending. The aim of this dissertation is to investigate the changes in the modelization of women in Disney “Princess” movies through the analysis of gender archetypes and, specifically, through the analysis of the The Little Mermaid (1989) and Brave (2012). These two movies represent a change in the portrayal of women since they break with the tradition depicted in previous movies and introduce a renewed image far from the typical “Princess” gender archetypes.
机译:自从1937年创作《白雪公主和七个小矮人》到今天,所谓的迪士尼“公主”电影中的女性造型发生了显着变化。在开始时,女性角色的作用与家务劳动和婚姻有关,但这种陈规定型观念逐渐改变,最终以迪斯尼“公主”电影的制作而告终,在电影中,女主人公被描绘成活跃的女性,他们控制生活而不需要一个男人的幸福结局。本文的目的是通过对性别原型的分析,尤其是对《小美人鱼》(The Little Mermaid,1989)和《勇敢传说》(Brave)(2012)的分析,来研究迪士尼“公主”电影中女性造型的变化。这两部电影代表了女性的写照的变化,因为它们打破了先前电影中描述的传统,并引入了崭新的形象,与典型的“公主”性别原型相去甚远。

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    Martínez Guillén Vanesa;

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  • 年度 2017
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  • 原文格式 PDF
  • 正文语种 eng
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