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History, memory and music: The repatriation of digital audio to Yolngu communities, or, memory as metadata

机译:历史,记忆和音乐:将数字音频归还给Yolngu社区,或者作为元数据存储

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摘要

This paper will examine a range of issues surrounding the documentation, digitization, and repatriation of archival field recordings of Yolngu music as an integral part of a project on the history of Arnhem Land music research. This research project, 'Yolngu Music: Anthropological and Indigenous Perspectives', aims to examine the history of Yolngu music research through two inter-linked perspectives: the intellectual history of Australian anthropology and ethnomusicology in their specific engagement with Yolngu music; and Yolngu oral history and memory concerning the singers who were recorded, perspectives on musical change, and prospects for the contemporary use of digitized archival field recordings produced since the 1920s.ududAn important feature of the latter aim of the project was the decision to repatriate archival collections of field recordings back to the Yolngu communities in which they were made. Although this decision was ethically based, the more specific decision to repatriate digitized collections was grounded in practical concerns: the virtual impossibility of such a large volume of recordings to be made available by AIATSIS archival staff due to existing time and resource pressures; the need to provide multiple copies of any given recording for different individuals or communities; and the need for a process of repatriation that is sustainable over the long term. The use of digitized materials has had a significant impact on methodology (both in the archive and in the field), on documentation, and on the various ways in which these recordings can find a new life upon their return to Yolngu communities.ududThis paper will examine a range of issues revolving around the digitization, documentation, and repatriation of archival recordings of Yolngu music to their traditional owners, and will consider the ongoing engagement with Aboriginal communities that is required for such work beyond the life of any particular research project.
机译:本文将探讨有关Yolngu音乐档案现场记录的文档,数字化和返还的一系列问题,这是有关Arnhem Land音乐研究历史项目的组成部分。这个名为“ Yolngu音乐:人类学和土著观点”的研究项目旨在通过两个相互关联的观点来考察Yolngu音乐研究的历史:澳大利亚人类学和民族音乐学的知识史,以及他们对Yolngu音乐的具体参与;和Yolngu关于所录制歌手的口述历史和记忆,音乐变化的观点以及自1920年代以来制作的数字化档案现场录音在当代的应用前景。 ud ud该项目后一个目标的重要特征是决策将现场录音的档案收藏归还到制作它们的Yolngu社区。尽管该决定是出于道德考虑,但更具体的决定是归还数字化馆藏是出于实际考虑:由于现有的时间和资源压力,AIATSIS档案工作人员实际上不可能提供如此大量的录音;需要为不同的个人或社区提供任何给定记录的多个副本;以及需要长期可持续的遣返程序。数字化材料的使用对方法论(无论是在档案馆还是在现场),文档以及这些录音带返回Yolngu社区后可以找到新生活的各种方式都产生了重大影响。 ud本文将研究围绕Yolngu音乐档案的数字化,文档化和归还传统所有者所涉及的一系列问题,并将考虑在任何特定研究的生命周期之外,与土著社区的持续接触是此项工作所必需的项目。

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    Toner Peter;

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