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Sketching and visual perception in conceptual design : case studies of novice and expert architecture students.

机译:概念设计中的草图绘制和视觉感知:新手和建筑专业学生的案例研究。

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摘要

This research is concerned with conceptual sketches, visual perception andudverbal description. Firstly, it focuses on the role of sketching in conceptual design andudbegins to question why conceptual sketches are considered a good medium for reflectiveudconversation with one's own ideas and imagery. Secondly, it focuses exclusively on theudmental process involved in the analysis and verbal description of conceptual sketches.udThe empirical study examines how novice and expert designers might perceiveuddifferent things from the same conceptual sketch and thus use different verbaluddescriptions, and what this might reveal about their different approaches to design. Forudthis reason some experiments on visual perception, conceptual sketches and verbaluddescription were conducted with expert and novice architecture students.udThe main objective is to verify to what extent the use of formal references suchudas line, square or circle and symbolic references such as describing a circle as a sun or audlong oval as a sausage, help to understand how designers might think with sketches,udwhile searching for a specific design solution. It also investigates which of the two typesudof images (non-architectural and architectural sketches) present greater potential forudallowing the use of formal and symbolic verbal references, and why.udThe results show that, on average, the expert group used more formal andudsymbolic verbal references per minute than novices while describing the same images.udThe results also show that the non-architectural sketch was judged as easier to describeudthan the architectural one and gave rise to the use of more symbolic references. Thisudcan be seen to confirm earlier work suggesting that we fmd symbolic descriptions easierudand more powerful than formal ones. The results also suggest that the expert studentsudwere more able to employ symbolic references to architectural concepts than noviceudstudents.udHowever, in many other respects there were few differences between theudgroups. This may in part be due to the limitations of the empirical methodologyudemployed.
机译:这项研究涉及概念草图,视觉感知和 uverbal描述。首先,它着重于草图在概念设计中的作用,并开始质疑为什么草图被认为是与自己的想法和意象进行反思性对话的良好媒介。其次,它专门研究概念草图的分析和口头描述中涉及的 udment过程。 ud实证研究研究了新手和专家设计人员如何从同一概念草图中感知 uder不同的事物,从而使用不同的言语 uddescription,以及这可能揭示出他们不同的设计方法。出于这个原因,我们与专业和新手建筑专业​​的学生一起进行了视觉感知,概念草图和言语描述方面的实验。 ud主要目的是验证在何种程度上使用了形式参考,例如 udas线,正方形或圆形和符号诸如将圆形描述为太阳或将 udlong椭圆形描述为香肠之类的参考文献有助于理解设计师在寻找特定的设计解决方案时如何用草图思考。它还研究了两种类型的 udof图像(非建筑和建筑草图)中的哪一类有更大的潜力允许使用正式的和象征性的言语参照,以及原因。 ud结果表明,专家组平均使用在描述相同图像时,每分钟比新手有更多正式的 udsymbolic言语参考。 ud结果还表明,非建筑草图被认为比建筑草图更容易描述 ud,并导致使用更多的符号参考。可以看出,这可以证实以前的工作,这表明我们认为符号描述比正式描述更容易,更强大。结果还表明,与新手学生相比,专业的学生 u能够更容易地使用符号引用建筑概念。 ud但是,在许多其他方面, udgroup之间几乎没有差异。这可能部分是由于经验方法论使用的局限性所致。

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