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Demythifying Melville: Charles Johnsonu27s Middle Passage and the Nightmare of Slavery

机译:揭开梅尔维尔的神秘面纱:查尔斯·约翰逊的中间通道和奴隶制的噩梦

摘要

When I first picked up Middle Passage, I was struck by an odd sense of familiarity, for having read u22Benito Cerenou22 that same year, I immediately noted a connection to Melville. I became curious to determine not only the nature of that connection but also how an analysis of it might enhance an understanding of Johnsonu27s text. I asked myself: u22Why does Johnson deliberately choose to retell Melville?u22 A few reasons immediately suggested themselves: because Melville represents the canon of classic American literature and because he is an American writer who has adopted the u27European perspective of the empire. Moreover, Charles Johnson, in telling the story from the point of view of a freed slave, is trying to revise a portion of the canon of slave narratives, and, by doing so, construct an alternate view of American history as well as an alternate history of American literature.
机译:当我第一次拿起《 Middle Passage》时,我被一种奇怪的熟悉感震惊,因为当年读过《 Benito Cereno》,我立刻注意到与梅尔维尔的联系。我好奇地不仅要确定这种联系的性质,而且还要确定对它的分析如何增强对约翰逊案文的理解。我问自己:约翰逊为什么故意选择重述梅尔维尔? u22几个原因立即表明了自己:因为梅尔维尔代表了美国经典文学的经典,并且因为他是一位采用欧洲帝国视角的美国作家。此外,查尔斯·约翰逊(Charles Johnson)从被释放的奴隶的角度讲故事时,正试图修改一部分奴隶叙事的经典,并以此来建构美国历史的另一视角以及另一视角。美国文学史。

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    Palencia u2794 Rachel;

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  • 年度 1994
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