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Bearers of culture: images of veiling in Marjane Satrapi’s Persepolis

机译:文化的承载者:Marjane Satrapi的波斯波利斯的面纱形象

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摘要

Much ink has been spilled on the history of veiling, reveiling, and unveiling in various parts of the Muslim world, particularly in Iran. However, little mention is given in most scholarly works as to how it affects women and its ramifications in society. By examining the history of veiling in Iran and the study of veiling as represented in Marjane Satrapi’s memoir, Persepolis, this paper sheds light on the ramifications of forced unveiling and veiling, and it also enlightens the readers to how the Iranian women became the yardstick with which the country’s progress is measured. We argue that the two Acts of Unveiling and Veiling have been a mechanism in the service of patriarchy, which created division, conflict and segregation amongst women. We also argue that unlike the public perception that veiling is a phenomenon for Islamic hegemony and a heritage of Arab conquest, Persian women have used veiling centuries before the emergence of Islam, and in modern Iran, voluntary veiling can be used as a cultural sign of anti-imperialism.
机译:在穆斯林世界的各个地方,特别是在伊朗,纱幕,纱幕和揭幕的历史已经流传了很多墨水。但是,在大多数学术著作中很少提及它如何影响妇女及其在社会中的影响。通过审查伊朗面纱的历史以及Marjane Satrapi的回忆录《波斯波利斯》中代表的面纱研究,本文揭示了强迫揭幕和面纱的后果,也使读者了解伊朗妇女是如何成为衡量标准的该国的进步是可以衡量的。我们认为,揭幕和揭幕这两项法案一直是为父权制服务的机制,在父权制中造成了妇女之间的分裂,冲突和隔离。我们还认为,与公众认为面纱是伊斯兰霸权现象和阿拉伯征服的传统不同,波斯妇女在伊斯兰教出现之前就使用了面纱已有数百年历史,而在现代伊朗,自愿面纱可被用作伊斯兰的文化标志。反帝国主义。

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