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The processes and parameters of Fine Art PhD examination

机译:美术博士检查的过程和参数

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摘要

The merger of art schools into academic institutions and the consequent proliferation of higher degree courses in the visual arts has created pressure for these courses to justify that their research content ‘measures up’ to more traditional research practices. This study aimed to identify the parameters for PhD examination and research practices in the field of Fine Art through interviews with Fine Art examiners as well as an analysis of written PhD examination reports. A comparison of PhD examination reports across disciplines revealed that there were similarities as well as some significant differences between the type of feedback provided by Fine Art examiners and feedback by examiners from other disciplines. Interviews with 15 Fine Art examiners from 11 Australian institutions provided information about the expectations, standards and models of evaluation in the Fine Art field as well as how examiners perceive their role and what constraints are evident in current examination processes.
机译:艺术学校进入学术机构的合并以及视觉艺术中的高度课程的随之增长为这些课程产生了压力,以证明他们的研究内容对更传统的研究实践的措施。本研究旨在通过与美术审查员的采访以及书面博士学位考试报告的分析来确定美术领域的博士学位研究和研究实践参数。跨学科的博士审查报告的比较透露,美术审查员提供的反馈类型与其他学科的反馈之间存在相似之处以及对其他学科的反馈之间的一些显着差异。来自11个澳大利亚机构的15个美术审查员的访谈提供了有关在美术领域的评估的期望,标准和模型的信息,以及审查员如何感知其作用以及在当前考试过程中显而易见的。

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