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Making and using the urban environment: furniture, structure and infrastructure

机译:制作和使用城市环境:家具,结构和基础设施

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摘要

The collection and arrangement of previously published and built works, interspersed with reflections on topics which have arisen through the doing of those works, is done with the aim of putting forward an idea about urban architecture. It attempts to make clear a line of thinking which has been implicit in the individual works produced over the past ten years, but perhaps not fully articulated. This argument is to be understood, however, not as a historical account, but in the present: as the current iteration of a cumulative position, developing continuously through the repeated act of doing projects and working with others. A strategy of concentrating on the very large (urban) scale and very small (material/ experiential) scale is used as a method of avoiding or bypassing the middle scale which is the usual scale and preoccupation of architecture. This middle scale is that of the ‘object’, the whole thing, in isolation and complete. It is the scale on which form is often studied, modelled, considered and communicated. By comparison, the very large is the scale of infrastructure, or shared metropolitan systems, and the very small is the scale of furniture, or personalised and highly-responsive micro-environments. But defining things precisely at the middle-scale of the whole is the architect’s task. We need to decide on and then describe exactly where things go, how big things are, what they are made of; in order that they can be understood, approved, priced and made. The works collected here investigate ways in which actions and decisions can be made logically and precisely, but in a way that also encourages other things to happen; that does not limit or define absolutely the meaning, interpretation or potential inhabitation of spaces; that leaves room for and encourages appropriation and customisation (active engagement) in the everyday urban realm. In order to do this it is necessary to continually study ways in which such things as customisation and appropriation occur (how the urban environment is used), and also continually reflect upon the nature and potential of the fundamental decisions and limits that everyday architecture entails; aspects such as spatial organisation, structure, expression, materials, fittings (how the urban environment is made).
机译:收集和整理以前出版和建造的作品,并散布对那些作品进行中所产生的主题的反思,目的是提出有关城市建筑的想法。它试图阐明一种思路,这种思路已经隐含在过去十年中创作的个人作品中,但也许还没有完全阐明。但是,不应将这种观点理解为历史原因,而应理解为当前:作为累积职位的当前迭代,通过重复执行项目和与他人合作不断发展。集中于非常大的(城市)规模和非常小的(材料/经验)规模的策略被用作避免或绕过中等规模的方法,这是通常的规模和对建筑的关注。这个中间尺度是孤立的,完整的“对象”,整个事物的尺度。它是经常研究,建模,考虑和交流形式的尺度。相比之下,基础设施或共享的大都市系统的规模很大,而家具或个性化且响应迅速的微环境的规模很小。但是,要在整体的中间范围内准确地定义事物是建筑师的任务。我们需要做出决定,然后准确描述事物的去向,事物的大小,它们的构成;为了使它们能够被理解,批准,定价和制造。这里收集的作品研究了可以逻辑和精确地做出行动和决定的方式,但是也鼓励了其他事情的发生。不完全限制或定义空间的含义,解释或潜在的居住地;在日常的城市领域中留出空间并鼓励拨款和自定义(积极参与)。为此,有必要不断研究定制和占用等事物发生的方式(如何使用城市环境),并不断反思基本决策的性质和潜力以及日常建筑所需要的限制;空间组织,结构,表达,材料,装修(如何制作城市环境)等方面。

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    Bertram N;

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