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Poetic Machines: an investigation into the impact of the characteristics of the digital apparatus on poetic expression

机译:诗歌机器:研究数字仪器特征对诗歌表达的影响

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摘要

This thesis aims to investigate digital methods of signification in order to examine the impact of the apparatus on poetic expression. This is done through a critical analysis of the translation process from analogue to digital, in the sense that even as we read a page we are in fact translating sight into sound. The resulting effects of this change in form are explored in order to understand their impact on meaning-making in the digital realm. Through this interrogation the comprehension and definition of ePoetry (electronic poetry or digital poetry) is extended, by exposing the unique affordancesudand specificities of digital expression.ududDigital poetry theorists such as Loss Pequeño Glazier posit that the emerging field of electronic literature is composed of interweaving strands from the areas of computerudscience, sociology, and literary studies. This is reflected in the interdisciplinary nature of this thesis, which necessitates an engagement with the broad areas of translation, literature, and digital media studies. Currently the pervasiveness of digital technologyudand access to the Internet means that the creation and consumption of online content such as ePoetry is becoming seamless and apparently effortless. Whilst recent studiesudhave explored electronic literature as a field, there is a noticeable deficit of research that specifically focuses on ePoetry, a deficit that this thesis seeks to rectify.ududWithin this work cybernetic and technosocial theories of communication are drawn on which provide as much emphasis on the apparatus, as is afforded to the author andudreader. Traditional poetry criticism is problematised with reference to its suitability for application to online works in order to develop a comprehensive ePoetry rhetoricudthat explores not only what is being said, but also crucially how it is being said. Theories of translation are also used as a context in which to analyse the transpositionudof poetry from analogue to digital. This framework then forms the basis for a study that explores the move from print to pixel by analysing qualitative ePoet interviews asudwell as their corresponding ePoems.
机译:本文旨在研究数字化的意义方法,以检验该装置对诗歌表达的影响。这是通过对从模拟到数字的翻译过程进行严格分析而完成的,某种意义上说,即使我们在阅读页面时,实际上也正在将视觉转换为声音。探索了这种形式变化的结果影响,以了解其对数字领域意义产生的影响。通过这种询问,通过暴露数字表达的独特承受能力和特殊性,扩展了电子诗歌(电子诗歌或数字诗歌)的理解和定义。它由计算机 udscience,社会学和文学研究领域的交织而成。这体现在本论文的跨学科性质上,因此有必要参与翻译,文学和数字媒体研究等广泛领域。当前,数字技术对互联网的普及普及意味着在线内容(例如ePoetry)的创建和使用正变得无缝且显然不费吹灰之力。在最近的研究中,电子文学被视为一个领域,但有一个明显的研究缺陷,即专门针对电子诗歌,这是本论文试图纠正的缺陷。 ud ud在本文中,借鉴了控制论和技术社会学理论,如作者和读者所提供的那样,尽可能地强调设备。传统诗歌批评在适用于在线作品时遇到了问题,这是为了发展一种全面的电子诗歌修辞 ud,该修辞不仅探讨了所说的话,而且还至关重要地探讨了怎么说。翻译理论也被用作分析诗歌从模拟到数字的转换 udud的背景。然后,该框架构成了一项研究的基础,该研究通过分析定性的ePoet访谈以及相应的ePoem,探索了从印刷到像素的转变。

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    Naji Jeneen;

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  • 年度 2012
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