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Analysis and comparison of literary characters in slovenian folk and modern fairy tales

机译:斯洛文尼亚民间和现代童话中的文学人物分析与比较

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摘要

The thesis is exploring the gender roles of women and men acting as literary characters in Slovenian folk tales and modern fairy tales. I compared them and explained the causes and the origin of sexual stigma of fairy tales. ududIn the first part of theoretical part of my thesis, I presented the construction of gender roles through social processes of socialization and characteristics of previously mentioned gender roles. Those gender roles vary depending on a male or a female gender. The focus was placed on our stereotypical views of male and female gender roles, which are the result of different social factors.udIn the second part of the theoretical part of my thesis, I described the role of fairy tales and how social constructions of gender roles influence them, and how fairy tales differ from each other; the time of their creation was also very important. ududIn the analytical part of the thesis I focused on analysing male and female characters in Slovenian folk and modern fairy tales and I compared their gender roles.udThe aim of this thesis was mainly to determine whether the gender roles of male and female literary characters of contemporary Slovenian fairy tales differ from their older predecessors - Slovenian folk fairy tales, and whether these gender stereotypes are on one side, in folk tales really more hierarchical and patriarchal, but on the other side, in modern fairy tales more democratically distributed, rather than sexual marked. ududIn my analysis of male and female literary characters, I used 10 different fairy tales, of which 5 tales are of a folk origin, 5 fairy tales are written by modern Slovene artists - storytellers. ududIn fairy tales I chose, the majority is of human figures, but there are also some animal characters. udBy analysing the fairy tales I found out that in folk tales there are presented typical patriarchal patterns of society, which are reflected through uneven distribution of gender roles between men and women. Men are typed in bold as vigorous, independent and prudent heroes who with their ingenuity and wisdom overcome barriers on the way to their destination. Most of them have the role of mighty kings, cheerful shepherds, poor sons and boys with a good heart. ududIn folk tales, the marginal role belongs to two different types of female characters. On one hand, a passive, silent, hesitant, humble, but beautiful princess, who is also the youngest daughter and who with the help of the main male character - the hero, in the end lives happily ever after. On the other hand, there is a wicked stepmother, a wicked witch, a twisted fiancée, also greedy mother that only makes everything difficult for the protagonist to reach his/her goals. These women always end up punished for their bad actions. In folk tales, there are also some main female characters, but they also mirror the patriarchal society at that time - these women are presented as busy housewives or poor and humble stepchildren who patiently wait and are without their own expectations and who with the help of other good characters reach their happy ending.ududI also found out that in modern literary fairy tales characters are neutral in gender and that previously typed gender roles of male and female characters of folk tales in modern tales become mixed and changed. Many women assume male roles, while men assume female roles. Women in modern fairy tales can be brave and resourceful heroines, while men are often frightened and vulnerable. Their relations are no longer patriarchal but democratic.udAll this means that modern fairy tales make every effort to supplant the old stereotypical patterns of male and female gender roles, which are today still present among us, but by the democratic organization of society we make them less obvious. udI can conclude that fairy tales in fact reflect the society and are one of the main media that transmits social norms, mind-sets, values and attitudes to children.ud
机译:本文正在探讨斯洛文尼亚民间故事和现代童话中充当文学人物的男女角色。我对它们进行了比较,并解释了童话中性耻辱的原因和成因。在本文的理论部分的第一部分,我通过社会化的社会过程和前面提到的性别角色的特征介绍了性别角色的构建。这些性别角色取决于男性或女性。重点放在了我们对男女性别角色的陈规定型观念上,这是不同社会因素的结果。 ud在论文理论部分的第二部分,我描述了童话中的角色以及性别的社会建构角色会影响他们,童话之间的差异如何;他们创立的时间也很重要。 ud ud在论文的分析部分中,我重点分析了斯洛文尼亚民间和现代童话中的男性和女性角色,并比较了它们的性别角色。 ud本文的目的主要是确定男性和女性的性别角色斯洛文尼亚当代童话的文学特征不同于其较早的前辈-斯洛文尼亚民间童话,以及这些性别定型观念是否一方面在民间故事中确实更加等级化和重男轻女,但另一方面,在现代童话中则更加民主地分布,而不是带有性别标记。 ud ud在对男女文学人物的分析中,我使用了10种不同的童话,其中5种是民间传说,而5种是现代斯洛文尼亚艺术家-讲故事的人写的。 ud ud在我选择的童话中,大多数是人类人物,但也有一些动物人物。通过分析童话故事,我发现民间故事中呈现出典型的父权制社会格局,这是通过男女角色的不均匀分布反映出来的。勇敢,勇敢,独立和审慎的英雄被人打成粗体,他们以才智和智慧克服了通往目的地的障碍。他们中的大多数人都扮演着强大的国王,牧羊人开朗,可怜的儿子和男孩的心。 ud ud在民间故事中,边缘角色属于两种不同类型的女性角色。一方面,一个被动的,沉默的,犹豫的,谦卑的,但美丽的公主,他也是最小的女儿,并且在主要男性角色-英雄的帮助下,最终幸福地生活着。另一方面,有一个邪恶的继母,一个邪恶的女巫,一个扭曲的未婚妻,还有一个贪婪的母亲,这只会使主角很难达到他/她的目标。这些妇女总是因其不良行为而受到惩罚。在民间故事中,也有一些主要的女性角色,但它们也反映了当时的父权制社会-这些妇女表现为忙碌的家庭主妇或贫穷而谦卑的继子女,他们耐心等待,没有自己的期望,并在妇女的帮助下 ud ud我还发现,在现代文学童话中,人物在性别上是中立的,而以前在现代故事中键入的男女民间角色的性别角色变得混杂而变化。许多女性担任男性角色,而男性承担女性角色。现代童话中的女性可能是勇敢而机智的女主角,而男性则经常受到惊吓和脆弱。他们的关系不再是父权制的,而是民主制的。 ud所有这一切都意味着现代童话故事竭尽全力取代了今天仍然存在于我们中间的男女角色的陈规定型观念,但是通过社会的民主组织,我们做出了他们不太明显。 ud我可以得出结论,童话实际上反映了社会,并且是向儿童传递社会规范,思维定势,价值观和态度的主要媒介之一。

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