首页> 外文期刊>NeuroImage >The auditory scene: An fMRI study on melody and accompaniment in professional pianists
【24h】

The auditory scene: An fMRI study on melody and accompaniment in professional pianists

机译:听觉场景:fMRI研究专业钢琴家的旋律和伴奏

获取原文
获取原文并翻译 | 示例
       

摘要

The auditory scene is amental representation of individual sounds extracted from the summed sound waveform reaching the ears of the listeners. Musical contexts represent particularly complex cases of auditory scenes. In such a scenario, melody may be seen as the main object moving on a background represented by the accompaniment. Both melody and accompaniment vary in time according to harmonic rules, forming a typical texture with melody in the most prominent, salient voice. In the present sparse acquisition functional magnetic resonance imaging study, we investigated the interplay between melody and accompaniment in trained pianists, by observing the activation responses elicited by processing: (1) melody placed in the upper and lower texture voices, leading to, respectively, a higher and lower auditory salience; (2) harmonic violations occurring in either the melody, the accompaniment, or both. The results indicated that the neural activation elicited by the processing of polyphonic compositions in expert musicians depends upon the upper versus lower position of the melodic line in the texture, and showed an overall greater activation for the harmonic processing of melody over accompaniment. Both these two predominant effects were characterized by the involvement of the posterior cingulate cortex and precuneus, among other associative brain regions. We discuss the prominent role of the posterior medial cortex in the processing of melodic and harmonic information in the auditory stream, and propose to frame this processing in relation to the cognitive construction of complex multimodal sensory imagery scenes. (C) 2014 Elsevier Inc. All rights reserved.
机译:听觉场景是从总和声音波形中提取的各个声音的基本表示,这些声音波形到达听众的耳朵。音乐情境代表了听觉场景的特别复杂的情况。在这种情况下,旋律可以看作是在伴奏代表的背景上移动的主要对象。旋律和伴奏均会根据和声规则随时间变化,从而在最突出,最突出的声音中形成具有旋律的典型质感。在目前的稀疏采集功能磁共振成像研究中,我们通过观察处理引起的激活响应,研究了训练有素的钢琴家中旋律和伴奏之间的相互作用:(1)旋律分别置于上,下质感声音中,分别导致较高和较低的听觉显着性; (2)在旋律,伴奏或两者中都出现谐波违规。结果表明,在专业音乐家中,由复音成分的处理引起的神经激活取决于旋律线在纹理中的上位置和下​​位置,并且显示出总体上更大的激活声调是在伴奏下进行谐波处理。这两个主要作用的特征是后扣带回皮层和前突神经以及其他相关的大脑区域的参与。我们讨论后内侧皮质在听觉流中的旋律和谐波信息的处理中的重要作用,并建议将这种处理与复杂的多模态感官图像场景的认知构造有关。 (C)2014 Elsevier Inc.保留所有权利。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号