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'Wax bloom' on beeswax cultural heritage objects: Exploring the causes of the phenomenon

机译:蜂蜡文化遗产物体上的“蜡华”:探究现象的原因

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The term 'wax bloom' is used to describe a thin whitish crystalline layer that develops on the surface of beeswax objects under specific conditions. This phenomenon is undesirable, especially in the cases of objects with aesthetic or informational value, such as wax sculptures or historical seals. A combination of solid-state NMR and FTIR measurements allowed to obtain fairly detailed insight into the problem and to suggest a probable mechanism of its development. Secondary crystallization of unsaturated hydrocarbons from beeswax was determined as a primary cause. After the macroscopic solidification of beeswax from the melt, these molecules remain for months in a highly mobile, liquid-like state. This facilitates their diffusion to the surface, where they eventually crystallize, forming the 'wax bloom' effect. Although these results are of particular interest with respect to the conservation of beeswax artifacts, they are relevant to this material in general and help with understanding its unique properties. Copyright (C) 2015 John Wiley & Sons, Ltd.
机译:术语“蜡花”用于描述在特定条件下在蜂蜡物体表面上形成的薄白结晶层。这种现象是不可取的,特别是在具有美学或信息价值的物体(例如蜡雕或历史印章)的情况下。固态NMR和FTIR测量相结合,可以对问题进行相当详细的了解,并提出其发展的可能机理。确定了从蜂蜡中不饱和烃的二次结晶是主要原因。蜂蜡从熔体中宏观固化后,这些分子以高度可移动的液体状状态保留数月。这有助于它们扩散到表面,最终在其中结晶,形成“蜡花”效应。尽管这些结果在保护蜂蜡制品方面特别令人感兴趣,但它们通常与这种材料有关,并有助于理解其独特性质。版权所有(C)2015 John Wiley&Sons,Ltd.

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