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Faure the American Way

机译:失败的美国方式

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I was one of the lucky people who took the Faure workshop with Mauricette Pinoteau at the Enamel Conference in Columbus, Ohio. Naturally, I wanted to repeat what I had learned as soon as I got home! Well, that was simply not possible...or was it? The French technique requires 40 mesh enamels as well as several other products that take time to produce or have to be found. I began to think about it and realized that Faure was also firing his enamels in a charcoal heated kiln. Things have changed and time moves on. My kiln is electric and has a pyrometer. There are other products on the market that were not available to Faure, so why not try doing his method with 2007 technology? Tom Ellis has completely described the technique for you in detail (Glass on Metal, Vol. 26, No. 5, December 2007). I followed the technique just as Mauricette had shown us, but simply substituted easily available products. I tried to remain true to the original technique, but simply avoided the cumbersome parts substituting currently available materials, all found in Thompson's catalog.
机译:我是在俄亥俄州哥伦布举行的搪瓷大会上与毛里切特·皮诺托一起参加Faure研讨会的幸运者之一。自然,我想一回到家就重复我学到的东西!好吧,那根本不可能...是吗?法国技术需要40目搪瓷以及其他一些需要花费时间才能生产或必须找到的产品。我开始考虑这一点,并意识到福雷也在木炭加热窑中烧制搪瓷。事情已经改变,时间在流逝。我的窑是电动的,有高温计。市场上还有其他产品对Faure不可用,那么为什么不尝试用2007年的技术来​​执行他的方法呢?汤姆·埃利斯(Tom Ellis)已为您详细介绍了该技术(《玻璃上的金属》,第26卷,第5期,2007年12月)。我遵循了Mauricette向我们展示的技术,但是只是替换了易于获得的产品。我试图保持对原始技术的忠诚,但只是避免了将繁琐的零件替换为汤普森目录中现有的可用材料。

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