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Introduction (Note)

机译:简介(注)

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摘要

Such categories as applied science and pure science can be thought of as "ideological." They have been contested in the public sphere, exposing long-term intellectual commitments, assumptions, balances of power, and material interests. This group of essays explores the contest over applied science in Britain and the United States during the nineteenth century. The essays look at the concept in the context of a variety of neighbors, including pure science, technology, and art. They are closely related and connected to contemporary historiographic debate. Jennifer Alexander links the issues raised to a recent paper by Paul Forman. Paul Lucier and Graeme Gooday deal with the debates in the last quarter of the century in the United States and Britain, respectively. Robert Bud deals with the earlier part of the nineteenth century, with an eye specifically on the variety of concepts hybridized under the heading of "applied science." Eric Schatzberg looks at the erosion of the earlier concept of art. As a whole, the essays illuminate both long-term changes and nuanced debate and are themselves intended to provoke further reflection on science in the public sphere.
机译:应用科学和纯粹科学等类别可以被视为“意识形态”。他们在公共领域竞争激烈,暴露了长期的智力承诺,假设,力量平衡和物质利益。这组论文探讨了19世纪英国和美国关于应用科学的竞赛。文章在包括纯科学,技术和艺术在内的各种邻居的背景下审视了这一概念。它们紧密相关,并与当代史学辩论相关。詹妮弗·亚历山大(Jennifer Alexander)将提出的问题与保罗·佛曼(Paul Forman)的最新论文联系起来。保罗·露西尔(Paul Lucier)和格雷姆·古德(Graeme Gooday)分别处理了本世纪后半叶在美国和英国举行的辩论。罗伯特·布德(Robert Bud)着眼于19世纪早期,着眼于在“应用科学”标题下混杂的各种概念。埃里克·沙茨伯格(Eric Sc​​hatzberg)着眼于早期艺术观念的侵蚀。总体而言,这些论文阐明了长期的变化和细微的争论,它们的目的是激发对公共领域科学的进一步思考。

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