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Responses of male tropical mockingbirds (Mimus gilvus) to variation in within-song and between-song versatility

机译:雄性热带知更鸟(Mimus gilvus)对歌曲内和歌曲间多功能性变化的反应

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摘要

Despite their large vocal repertoires and otherwise highly versatile singing style, male mockingbirds (Mimus spp.) sometimes sing in a highly repetitive fashion. We conducted a playback experiment to determine the possible signal value of different syllable-presentation patterns during simulated male intrusions in the Tropical Mockingbird (Mimus gilvus), testing the hypothesis that more repetitive singing represents a stronger threat and generates a stronger aggressive response. Responses were measured in terms of approach and singing behavior and were analyzed using McGregor's (1992) multivariate method. We also introduce the use of survival analysis for analyzing response variables for which subjects do not perform the behavior in question in at least one of the replicates (known as "right-censored variables" in the statistical literature). As predicted by theory, experimental subjects responded more aggressively to songs composed of a single note than to variable ones. However, versatility at the between-song level had an opposite effect: high song-switching rates generated stronger responses than low ones. Given the lack of a statistical interaction between within-song versatility and switching rate, we conclude that these two parameters may serve independent purposes and possibly transmit different information. We discuss the possibility that the signal value of variation in vocal versatility lies in the mediation of territorial conflicts, the attraction of female partners, the mediation of conflicts over access to reproductive females, or some combination of these functions.
机译:尽管它们的声乐库很大,并且具有其他多种多样的唱歌风格,但雄性模仿鸟(Mimus spp。)有时会以高度重复的方式唱歌。我们进行了回放实验,以确定在热带模仿鸟(Mimus gilvus)的模拟雄性入侵期间,不同音节表现模式的可能信号值,测试了以下假设:重复性歌唱越多,威胁就越强,并产生更强的攻击性。对反应的方式进行了测量,包括进场和歌唱行为,并使用McGregor(1992)多元方法进行了分析。我们还介绍了使用生存分析来分析响应变量,这些响应变量的受试者在至少一个重复样本中未表现出相关行为(在统计文献中称为“右删失变量”)。正如理论所预测的那样,实验对象对由单个音符组成的歌曲的反应比对可变音符的反应更积极。但是,歌曲之间的通用性却产生相反的效果:较高的歌曲切换率比较低的歌曲产生更强的响应。考虑到歌曲内通用性和转换率之间缺乏统计交互作用,我们得出结论,这两个参数可能用于独立目的,并且可能传输不同的信息。我们讨论了声音多功能性变化的信号价值在于领土冲突的调解,女性伴侣的吸引力,与生殖女性的获取有关的冲突的调解或这些功能的某种组合的可能性。

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