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首页> 外文期刊>The Mariner's mirror >Martyn Heighton (1947–2016)
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Martyn Heighton (1947–2016)

机译:Martyn Regheron(1947-2016)

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Martyn Heighton was not only my friend and a valued colleague and mentor, but also a stalwart leader in UK and international maritime heritage. He was always unstinting with his help and good humour for everyone, and he will be very sorely missed. His career was quite remarkable: he served the cause of best practice in UK and international heritage with extreme energy wherever he went, and where he went something significant always happened. I first met and got to know him while sheltering together from a hurricane called Floyd that was barrelling through Philadelphia in 1999. Starting out in heritage for Oxfordshire he was, for example, responsible for setting up the open air farm museum at Cogges Manor in 1974. In Liverpool he worked closely with Richard Foster to create the wonderful Merseyside Maritime Museum in the restored Albert Dock. Not only is it one of the first and greatest of the regeneration schemes for Liverpool docks, but it also collected several full-size historic Liverpool ships into the dry docks, and raised the profile of Liverpool’s maritime heritage to hitherto unreached heights. Moving on to Bristol, he became the lead officer at Bristol City Council for arts and culture, and devoted time and energy to all other art forms as well as the large city museum service, particularly his love of theatre, especially at the Old Vic theatre. But here he will be remembered not only for supporting the first International Festival of the Sea in 1996, but commissioning and securing the funding for the replica caravel Matthew, which then re-enacted the 1497 voyage of John Cabot from Bristol to Newfoundland.
机译:Martyn Repredon不仅是我的朋友和一位有价值的同事和导师,而且是英国和国际海事遗产的勇气泼斗。他总是用他的帮助和幽默为每个人来突出,他将非常非常糟糕。他的职业生涯非常出色:他在他去的地方提供了极端能源的英国和国际遗产的最佳实践的原因,并且他去了一些重要的事情总是发生的事情。我第一次见面并必须在1999年通过费城的飓风庇护,同时从一个名为Floyd的飓风一起庇护。例如,他在牛津郡的遗产中,他是1974年在1974年在凝视庄园设立开放式航空农场博物馆的遗产。 。在利物浦,他与Richard Foster密切合作,在恢复的Albert Dock中创造美妙的梅西德海事博物馆。它不仅是利物浦码头的第一个和最大的再生方案之一,而且还收集了几个全尺寸的历史利物浦船进入了干船坞,并将利物浦海上遗产的概况提高到迄今为止无法联系的高度。搬到布里斯托尔,他成为布里斯托尔市艺术和文化委员会的主任,以及所有其他艺术形式的时间和精力以及大城市博物馆服务,特别是他对剧院的热爱,特别是在老Vic剧院。但在这里,他将被记住1996年的第一个国际海洋节,但调试和确保复制Caravel Matthew的资金,然后从布里斯托尔到纽芬兰的John Cabot 1497 Voyage。

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