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Clown therapy: A drama therapy approach to addiction and beyond

机译:小丑疗法:戏剧治疗方法的成瘾和超越

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A drama therapy approach to working with addiction using clown therapy was developed via a process through which clients were led to discover their inner clown. Using drama therapy techniques, each client's key/dominant and oppositional personality roles were recognized and brought together through embodiment, leading to the emergence of the clown. The theoretical and practical foundation of the approach are presented here, with reference to the drama therapy literature, to the Jungian concept of the transcendent function, and to Winnicott's transitional phenomenon. The stages of the process are described, illustrated with techniques and short case studies. Viewed as the archetypal embodiment of paradox, it is suggested that the clown can serve as a container of ambivalence, thereby acting as a strategy for normalizing paradox in the process of recovery and rehabilitation. Symbolizing the bridge between antagonistic sides of the self, the encounter with the inner clown allows individuals to tolerate and live with paradox, resolving the feeling of being stuck in a state of inner and outer conflict. (C) 2017 Elsevier Ltd. All rights reserved.
机译:通过使用客户被引导的过程开发了使用小丑治疗的成瘾的戏剧疗法方法,通过这些过程来发现他们的内心小丑。使用戏剧疗法技术,每个客户的关键/主导和反对人格角色被认可并通过实施例汇集在一起​​,导致小丑的出现。此处的理论和实际基础在这里介绍了戏剧疗法文学,对超级功能的jungian概念以及Winnicott的过渡现象。描述了该方法的阶段,用技术和短案例研究说明。被视为悖论的伪装体实施例,建议小丑可以作为矛盾的容器,从而作为悖论在恢复和康复过程中正常化悖论的策略。象征着自我的敌对侧面之间的桥梁,与内小丑的遭遇允许个人忍受并与悖论一起生活,解决陷入内在和外部冲突状态的感觉。 (c)2017 Elsevier Ltd.保留所有权利。

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