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Marker-Based Method for Analyzing the Three-Dimensional Upper Body Kinematics of Violinists and Violists: Development and Clinical Feasibility.

机译:基于标记的小提琴家和侵权人员三维上海运动学的方法:发展与临床可行性。

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摘要

High string players (violin and viola) often suffer from musculoskeletal disorders. Although 3D motion analysis has proved helpful in diagnosing different musculoskeletal syndromes and identifying injurious movement patterns in violin and viola performance, more detailed analyses of upper body movement strategies and especially of the shoulder complex have not yet been recorded. The use of spherical surface markers on some anatomical landmarks is, however, inappropriate when an instrument is being played. The aim of this study was to develop and evaluate a novel marker-based method for analyzing upper body kinematics of high string players using conditions specific to violin and viola playing. A custom upper body marker set was developed and a biomechanical model applied to 3D motion capture data of the pelvis, thorax, spine, head, and both upper limbs (scapula, upper arm, forearm, hand) of 12 professional violinists, to assess its clinical feasibility. Lumbar and thoracic spine, thorax, neck, and left upper limb were quite static, while extensive motion occurred in the right upper limb. Most rotation angles showed a reasonable intersubject variability except for glenohumeral and wrist joints. Significant differences were observed between G- and D-string bowing, especially in the left wrist and right shoulder joints. This study suggests that the proposed method is a valid tool for quantifying upper body movements in violin and viola performance. With the extended upper body model, it will improve understanding of the motor strategies adopted by high string players and may contribute to injury prevention, diagnosis, and treatment.
机译:高弦球员(小提琴和中提琴)经常患有肌肉骨骼疾病。虽然3D运动分析有助于诊断不同的肌肉骨骼综合征,但尚未记录上半身运动策略,特别是肩部复合物的更详细分析。然而,在一些解剖标记上使用球形表面标记是在播放乐器时不恰当的。本研究的目的是开发和评估一种新的基于标记的方法,用于使用特定于小提琴和中提琴演奏的条件分析高弦球员的上半身运动学。开发了一种自定义上身标记集,并应用于3D运动捕获数据的生物力学模型,骨盆,胸部,脊柱,头部和两个上肢(肩胛骨,上臂,前臂,手)的12个专业小提琴手,以评估其临床可行性。腰椎和胸椎,胸部,颈部和左上肢是相当静态的,而右上肢发生了广泛的运动。除了Glenohumer和腕关节之外,大多数旋转角度显示出合理的运动器变异性。在G - 和D弦弯曲之间观察到显着差异,特别是在左侧腕部和右肩关节之间。本研究表明,该方法是用于量化小提琴和中提琴性能的上身运动的有效工具。随着延长的上半身模型,它将提高高弦球员采用的电机策略的理解,可能有助于预防预防,诊断和治疗。

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