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Exploring creative class mobility: Hong Kong creative workers in Shanghai and Beijing

机译:探索创意课程流动:上海和北京的香港创意工人

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In 2008 a controversial essay was published in Hong Kong drawing attention to the increasing number of local creative workers who have allegedly responded to the limitations the city had to wrestle with and the opportunities brought forward by the "Rise of China" - they moved northwards. Taking cues from the mainland China-Hong Kong dynamics, this inquiry zooms in on 12 Hong Kong creative workers who have relocated to Shanghai and Beijing during the last 20 years. It supplements existing scholarship on creative class mobility, which is largely configured by concerns with work situations and place attractiveness and is situated in cities in Europe, the United States, and Australia. It does so in two ways. On the one hand, the empirical evidence delivered by this inquiry aligns with studies pointing to the limitation of Florida's creative class thesis and wonders if "cool places" are indeed attracting talents. On the other hand, it is inadequate to posit that creative workers move only because of place or only because of work. It builds on the complexities of their subjective accounts to propose to include four dimensions the geopolitical, the intersectional, the contingent, and the circuitous - to future explorations on creative class mobility.
机译:2008年,在香港发表了一个有争议的论文,提请注意越来越多的当地创意工人,据称对城市不得不与之搏斗的局限性,并通过“中国崛起”的机会 - 他们搬到了北方。从中国内地 - 香港动态提出案件,这项询问在过去20年内搬迁到上海和北京的12名香港创意工人。它补充了创造性课程的现有奖学金,这主要是由工作情况和吸引力的担忧来配置,并位于欧洲,美国和澳大利亚的城市。它以两种方式这样做。一方面,这个询问提供的经验证据与指向佛罗里达州的创意类论文和奇迹的限制,如果“酷地方”确实吸引了人才。另一方面,由于创造性的工人仅因特或仅仅是因为工作而不足,这是不充分的。它建立了他们主观账户的复杂性,建议包括四维地缘政治,交叉口,队伍和迂回 - 未来的创意阶级移动性的探索。

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