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Egyptian sculptures from Imperial Rome. Non-destructive characterization of granitoid statues through macroscopic methodologies and in situ XRF analysis

机译:来自帝国罗马的埃及雕塑。 通过宏观方法和原位XRF分析进行造粒雕像的非破坏性表征

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Aegyptiaca-like Domitian's obelisk is now decorating Bernini's fountain on Piazza Navona or the Egyptian lions flanking Michelangelo's stairs towards the Capitol figure prominently amidst Rome's cultural heritage. Motivations for the import, contextualization, and copying of these objects during the Imperial Roman period are as heavily debated as they are ill understood. Provenance determination plays an important role in these discussions in terms of a (supposed) dichotomy between Egyptian (real) versus egyptianising (copy) but has only been applied stylistically and never been tested analytically. A scientific characterization of the materials themselves is even lacking altogether, as is an investigation into the cultural and symbolic meaning of the materials used. This paper is a first attempt to address these important lacunae on the basis of an explorative study of a selected sample of Egyptian statues from Rome. The identification and provenance attribution of the materials used for these statues are often problematic due to their relatively fine-grained nature and dark color. Therefore, a full non-destructive analysis of Egyptian statues in dark-colored rocks is presented in this study, with the stones evaluated by macroscopic examination and handheld X-ray fluorescence (XRF) analysis. The implemented methodology has allowed a distinction between greywacke and several varieties of granitoid rocks. In order to evaluate the potential for source attribution, a comparison was made between the results of our analyses and geochemical data for several granitoid rocks from Egypt. This has suggested Aswan as most likely source. The results presented here indicate that handheld XRF analysis can be used for the assessment of compositional variability in and potentially for the provenance of granitoid rocks, provided that a fine-grained area of the material can be measured on multiple locations, and if these values can be assessed on (in)consistencies with other published reference materials.
机译:像亚太地区的奥比迪亚的方尖碑现在装饰贝尼尼·纳米纳的喷泉或埃及狮子在罗马文化遗产中突出地朝向国民塞朗队的楼梯朝向国内队的楼梯。在帝国罗马时期的导入,上下文化和复制这些物体的动机与他们理解的弊端一样重大辩论。出处决定在埃及(真实)与埃及(副本)之间的(假设的)二分术方面发挥着重要作用,而是仅仅已经过风格应用而且从未在过度测试过。对材料本身的科学表征甚至缺乏完全缺乏,这是对所用材料的文化和象征意义的调查。本文是第一次尝试根据罗马埃及雕像样本的探索性研究来解决这些重要的空白。由于其相对细粒粗糙的性质和深色,因此用于这些雕像用于这些雕像的材料的鉴定和原始归属往往是有问题的。因此,本研究介绍了暗色岩石中埃及雕像的完全无损分析,通过宏观检查和手持X射线荧光(XRF)分析评估。实施的方法允许灰色瓦克和几种花岗岩岩石之间区分。为了评估源归因的潜力,在来自埃及的几种花岗岩岩石的分析和地球化学数据的结果之间进行了比较。这提出了Aswan,这是最有可能的来源。这里提出的结果表明,手持XRF分析可用于评估花岗岩岩石的出处的组成变异性和可能潜在地进行分析,条件是可以在多个位置测量材料的细粒面积,以及这些值可以与其他公开的参考资料进行评估

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