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The cover. Lute-player.

机译:封面。琵琶演奏者。

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Lute-Player (cover), which was painted by Michel-angelo Merisi da Caravaggio (1571-1610) for his patron, Cardinal Francesco Maria Del Monte, is remarkable not only for its strong contrasts of light and shadow and the expressiveness of the lute player's face and hands, but also for the positioning of the lute, viewed end-on. To make the lute appear to be three-dimensional, Caravaggio has used the technique of foreshortening. Foreshortening alters the proportions of an object to make the part that is nearer the eye appear larger and the part that is further from the eye appear smaller. Shapes with complex curves,.such as a lute, are particularly difficult to visualize and paint in such a way that they appear to have a realistic volume.
机译:《琵琶演奏者》(封面),由米开朗基罗·梅里西·达·卡拉瓦乔(Michel-angelo Merisi da Caravaggio,1571-1610年)为其主顾弗朗切斯科·玛丽亚·德尔·蒙特红衣主教绘制,不仅因光影的强烈对比和琵琶的表现力而著称玩家的脸和手,也适合琵琶的定位,端到端观看。为了使琵琶看起来是三维的,卡拉瓦乔使用了缩短的技巧。透视缩短了对象的比例,使距离眼睛较近的部分显得较大,而距离眼睛较远的部分显得较小。具有复杂曲线的形状(例如琵琶)特别难以以其看起来具有逼真的体积的方式进行可视化和绘画。

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