...
首页> 外文期刊>WIPO Magazine >POLISH DESIGN:a metamorphosis
【24h】

POLISH DESIGN:a metamorphosis

机译:波兰设计:变态

获取原文
获取原文并翻译 | 示例

摘要

Until recently, Poland was not perceived as a country with a strong design sector. Poles themselves were quick to admit that this was not the strong suit of our economy. A brief look at Poland's post-war history offers some explanation. In the 1950s, the economic focus was on rebuilding our industrial sector with emphasis on heavy industry and mining. Amid efforts to boost the country's consumer products industry in the 1960s, Polish industrial design was reborn. This was, in large part, due to the efforts of the Institute of Industrial Design and the creation of a number of new design schools, but is also attributable to the successes of designers who broke through the “iron curtain” which had precluded professional contact with designers from the West. This resurgence, however, was short-lived. A lack of competition in the market in the 1970s and the widespread practice of purchasing Western licenses for new technologies, and product models, hampered the work of Polish designers. By the early 1980s, during the Martial Law period in Poland, things had almost come to a complete standstill.
机译:直到最近,波兰还没有被认为是拥有强大设计部门的国家。波兰人本人很快就承认这不是我们经济的强项。简要回顾一下波兰的战后历史可以提供一些解释。在1950年代,经济重点是重建我们的工业部门,重点是重工业和采矿业。在1960年代为促进该国的消费品行业而做出的努力中,波兰的工业设计重生了。这在很大程度上是由于工业设计学院的努力和建立了许多新的设计学院,但也归因于突破了“铁幕”而无法进行专业接触的设计师的成功。来自西方的设计师。然而,这种复兴是短暂的。 1970年代市场缺乏竞争,以及购买西方国家许可以购买新技术和产品模型的广泛实践阻碍了波兰设计师的工作。到1980年代初,在波兰戒严期间,情况几乎完全停滞了。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号