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Understanding music as a temporal-aesthetic way of being: Implications for a general theory of music therapy

机译:将音乐理解为一种时间美学的存在方式:对音乐治疗的一般理论的启示

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Music therapy is generally considered a discipline that utilizes music for promoting health, in which music is understood as a phenomenon inextricably tied to the medium of sound. Yet, alternatively, music therapy may also be considered a discipline that promotes human health both as and through music, in which music is understood as a temporal-aesthetic way of being transcending the concrete medium of sound, that manifests across all of the domains targeted in clinical music therapy goals. This explorative perspective potentially resolves certain critical dichotomies and dilemmas with which the music therapy field has had to contend, while meaningfully distinguishing music therapy's indigenous expertise and unique value from those of related health disciplines. Moreover, it carries implications for the formulation of a general theory of music therapy, applicable across a plurality of specific music therapy models, methods, and practices. Likewise, it carries implications for general theories of other expressive arts therapies, based upon understanding their respective modalities as particular ways of being, transcending concrete media.
机译:音乐疗法通常被认为是利用音乐促进健康的学科,其中音乐被理解为与声音介质密不可分的现象。但是,作为一种选择,音乐疗法也可以被视为一门既可以通过音乐又可以通过音乐促进人类健康的学科,其中音乐被理解为超越声音的具体媒介的时空审美方式,这种方式体现在所有针对的领域中在临床音乐治疗中的目标。这种探索性的观点潜在地解决了音乐治疗领域必须应对的一些关键的二分法和两难困境,同时有意义地将音乐治疗的本地专业知识和独特价值与相关健康学科区分开来。而且,它对音乐疗法的通用理论的提出具有启示意义,该理论适用于多种特定的音乐疗法模型,方法和实践。同样,它对其他表现艺术疗法的一般理论也有启示,其基础是将它们各自的方式理解为超越具体媒体的特定存在方式。

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