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Shushaku Endo (1923-1996): his tuberculosis and his writings.

机译:远藤修作(1923-1996):他的结核病和他的著作。

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摘要

Shushaku Endo, one of the finest 20th century Japanese novelists, is not as well known in the West as some of his contemporary Japanese writers including, Yukio Mishima, Yasunari Kawabata, Kobo Abe, and Kenzaburo Oe. Mishima deals with turmoil of adolescence laced with surrealistic historical romance; Abe conjures strange, evocative images in the Kafkaesque tradition; Kawabata writes about loneliness and desolation; and Oe creates imaginary themes of life and myth that entwine and portray human predicaments. Kawabata and Oe both received Nobel Prizes in Literature. Endo's writing is different. He confronts problems pertaining to faith, morality, and individual responsibility. In his early years Endo struggled as a loner, an outsider, and a misfit. This pattern continued to a large extent into his adult life, most of which was consumed with fighting his life threatening tuberculosis. The agonies of his illness intensified his talent for exploring the complexity of human relationships.
机译:Endo Shushaku Endo是20世纪最出色的日本小说家之一,在西方并不像他的一些当代日本作家(包括三岛由纪夫,川端康成,安倍兴三和大江健三郎)那样广为人知。三岛处理青春期的动荡和超现实主义的历史浪漫。安倍让人们联想起卡夫卡式(Kafkaesque)传统中奇特而令人回味的图像。川端康成写寂寞与荒凉。大江创造了虚构的生活和神话主题,缠绕并描绘了人类的困境。川端和大江均获得了诺贝尔文学奖。远藤的著作与众不同。他面临着与信仰,道德和个人责任有关的问题。恩多在他早年的时候一直在作为孤独者,局外人和不适应者而奋斗。这种模式在很大程度上一直延续到他的成年生活中,其中大部分时间都在与他的威胁结核病的生命作斗争。他患病的痛苦加剧了他探索人际关系复杂性的才能。

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